The archives of the famous Parisian restorer Alfred André (1839-1919) contain a collection of drawings of Limoges painted enamels. Unknown to the scholars until 2013, it sheds light on restoration techniques developed in André's workshop. It also enables us to draw up a list of works that were restored on his premises in the second half of the 19th and early 20th centuries, and which are now in major museums across the world (British Museum,
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