Salience describes the phenomenon by which an object stands out from a scene. While its underlying processes are extensively studied in vision, mechanisms of auditory salience remain largely unknown. Previous studies have used well-controlled auditory scenes to shed light on some of the acoustic attributes that drive the salience of sound events. Unfortunately, the use of constrained stimuli in addition to a lack of well-established benchmarks of salience judgments hampers the development of comprehensive theories of sensory-driven auditory attention. The present study explores auditory salience in a set of dynamic natural scenes. A behavioral measure of salience is collected by having human volunteers listen to two concurrent scenes and indicate continuously which one attracts their attention. By using natural scenes, the study takes a data-driven rather than experimenter-driven approach to exploring the parameters of auditory salience. The findings indicate that the space of auditory salience is multidimensional (spanning loudness, pitch, spectral shape, as well as other acoustic attributes), nonlinear and highly context-dependent. Importantly, the results indicate that contextual information about the entire scene over both short and long scales needs to be considered in order to properly account for perceptual judgments of salience.

In everyday social environments, demands on attentional resources dynamically shift to balance our attention to targets of interest while alerting us to important objects in our surrounds. The current study uses electroencephalography to explore how the push-pull interaction between top-down and bottom-up attention manifests itself in dynamic auditory scenes. Using natural soundscapes as distractors while subjects attend to a controlled rhythmic sound sequence, we find that salient events in background scenes significantly suppress phase-locking and gamma responses to the attended sequence, countering enhancement effects observed for attended targets. In line with a hypothesis of limited attentional resources, the modulation of neural activity by bottom-up attention is graded by degree of salience of ambient events. The study also provides insights into the interplay between endogenous and exogenous attention during natural soundscapes, with both forms of attention engaging a common fronto-parietal network at different time lags.

Establishing neural determinants of psychophysical performance requires both behavioral and neurophysiological metrics amenable to correlative analyses. It is often assumed that organisms use neural information optimally, such that any information available in a neural code that could improve behavioral performance is used. Studies have shown that detection of amplitudemodulated (AM) auditory tones by humans is correlated to neural synchrony thresholds, as recorded in rabbit at the level of the inferior colliculus, the first level of the ascending auditory pathway where neurons are tuned to AM stimuli. Behavioral thresholds in rabbit, however, are ϳ10 dB higher (i.e., 3 times less sensitive) than in humans, and are better correlated to rate-based than temporal coding schemes in the auditory midbrain. The behavioral and physiological results shown here illustrate an unexpected, suboptimal utilization of available neural information that could provide new insights into the mechanisms that link neuronal function to behavior.

Deep neural networks have been recently shown to capture intricate information transformation of signals from the sensory profiles to semantic representations that facilitate recognition or discrimination of complex stimuli. In this vein, convolutional neural networks (CNNs) have been used very successfully in image and audio classification. Designed to imitate the hierarchical structure of the nervous system, CNNs reflect activation with increasing degrees of complexity that transform the incoming signal onto object-level representations. In this work, we employ a CNN trained for large-scale audio object classification to gain insights about the contribution of various audio representations that guide sound perception. The analysis contrasts activation of different layers of a CNN with acoustic features extracted directly from the scenes, perceptual salience obtained from behavioral responses of human listeners, as well as neural oscillations recorded by electroencephalography (EEG) in response to the same natural scenes. All three measures are tightly linked quantities believed to guide percepts of salience and object formation when listening to complex scenes. The results paint a picture of the intricate interplay between low-level and object-level representations in guiding auditory salience that is very much dependent on context and sound category.

Salience is the quality of a sensory signal that attracts involuntary attention in humans. While it primarily reflects conspicuous physical attributes of a scene, our understanding of processes underlying what makes a certain object or event salient remains limited. In the vision literature, experimental results, theoretical accounts, and large amounts of eye-tracking data using rich stimuli have shed light on some of the underpinnings of visual salience in the brain. In contrast, studies of auditory salience have lagged behind due to limitations in both experimental designs and stimulus datasets used to probe the question of salience in complex everyday soundscapes. In this work, we deploy an online platform to study salience using a dichotic listening paradigm with natural auditory stimuli. The study validates crowd-sourcing as a reliable platform to collect behavioral responses to auditory salience by comparing experimental outcomes to findings acquired in a controlled laboratory setting. A model-based analysis demonstrates the benefits of extending behavioral measures of salience to broader selection of auditory scenes and larger pools of subjects. Overall, this effort extends our current knowledge of auditory salience in everyday soundscapes and highlights the limitations of low-level acoustic attributes in capturing the richness of natural soundscapes.