Exotic natural objects brought to Europe in the sixteenth and seventeenth centuries were mutable and malleable things. They were constructed and assimilated into European world-views in a reciprocal process of change as they moved around early modern Europe. In particular, the provenance of natural objects and the associated rich symbolic resonances were central to their natural histories. The distinctions between Orient and Occident had divided the world since antiquity and were given a range of new senses in this period. The location of these two ‘Indies’, and their relationship to one another, were neither static nor always geographically defined. This article focuses on two rich examples of this natural historical construction in relation to images of the Indies: the Old World pangolin, or scaly anteater, and its New World counterpart, the armadillo. Initially, pangolins were understood as East Indian ‘scaly lizards’, armadillos as West Indian. But from the late seventeenth and early eighteenth centuries, their geographical identities and symbolic associations were entangled as these creatures came to embody colonial anxieties and resonances. The ‘India’ of the scaly lizard became the ‘Indies’ of the scaled mammals, both East and West. Examining the reception and treatment of examples such as these in European cabinets and natural histories, offers new insights into European relationships with regions of the world seen as distant and wonderfully bountiful.
This paper explores the assimilation of the flightless dodo into early modern natural history. The dodo was first described by Dutch sailors landing on Mauritius in 1598, and became extinct in the 1680s or 1690s. Despite this brief period of encounter, the bird was a popular subject in natural-history works and a range of other genres. The dodo will be used here as a counterexample to the historical narratives of taxonomic crisis and abrupt shifts in natural history caused by exotic creatures coming to Europe. Though this bird had a bizarre form, early modern naturalists integrated the dodo and other flightless birds through several levels of conceptual categorization, including the geographical, morphological and symbolic. Naturalists such as Charles L'Ecluse produced a set of typical descriptive tropes that helped make up the European dodo. These long-lived images were used for a variety of symbolic purposes, demonstrated by the depiction of the Dutch East India enterprise in Willem Piso's 1658 publication. The case of the dodo shows that, far from there being a dramatic shift away from emblematics in the seventeenth century, the implicit symbolic roles attributed to exotic beasts by naturalists constructing them from scant information and specimens remained integral to natural history.
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