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RESUMO -A Influência do Trabalho de Delsarte nos Estados Unidos a partir doFinal do Século XIX -Este texto trata da influência de François Delsarte em várias correntes do treinamento corporal, teatral e da preparação vocal nos Estados Unidos, a partir do final do século XIX. Apresenta-se a forma como suas ideias foram desenvolvidas e transformadas no país, desde 1870, tornando-se, em sua última fase, iniciada na década de 1880, uma teoria aplicada a todos os aspectos da vida independentemente de sua corrente europeia. São mencionadas as contribuições de Steele Mackaye, Genevieve Stebbins e Henrietta Hovey, entre outros. Palavras-chave: François Delsarte. Dança. Teatro. Delsartismo Americano. Corpo. ABSTRACT -The Influence of Delsarte's Work in the United States: Late 19th Century and Beyond -This paper discusses the influence of François Delsarte on bodily motion, theater, and elocution in the United States from the late nineteenth century. It presents his main ideas and how they were developed and transformed in the country since 1870, becoming, in their last phase, which began in the 1880s, a theory that was applied to all aspects of life, independent from its European form. The contributions of Steele Mackaye, Genevieve Stebbins, Henrietta Hovey and others are mentioned.

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In 1895, the book Dancing, a broad survey of world dance history, was published in London. Mainly written by Mrs. Lilly Grove (later Dame Lily Grove Frazer) after five years of travel and intensive research, it also includes four short chapters by other authors. It was issued in later editions after 1895 and is still an important early source for information about dance history. Of the 454 pages in Dancing, twenty-six are devoted to ancient Greece. I discuss some of Grove's sources, statements, and conclusions in relation to those of more recent writings about dance in ancient Greece.

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