This study discusses that floral motifs as the dominant traditional motifs in Malaysian block batik. In the 20th century, the block makers created any motif with purpose—the traditional block batik motifs not revealed due to lack of secure identity upon the development of high-tech modernisation. Based on the sequence of this issue, this study aims to classify the various types of local block motifs and designs. The classification base on their features using a suitable procedure. The crucial outcomes where the motifs of block batik still show the elements and innovation of the local motif identity. Keywords: Block Batik; Design; Motif; Identity eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bsby e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI3.2542
The purpose of this research is to find out the development of the batik tulis industry in the Klang Valley from the 1970s until 2018. It aims to study the design and identity of the batik tulis motif and patterns. This research used several methods and approaches for data collection which consisted of interviews, observations, and photo documentation. Three batik tulis manufacturers in the Klang Valley have been selected for this study. The data collected were then analysed using an analytical design approach. The findings showed that each manufacturer of batik tulis has exclusivity in terms of its subject matter as well as assertions in the patterns and designs used. The development of the batik tulis industry has changed in terms of designs according to the demands of batik consumers themselves who prefer differentiation in the design concept of batik products. Most of the batik products in the Klang valley are more focused on the concept of modern and contemporary designs for the sustainability of these batik motif design.
‘Pelangi’ cloth flourished locally circa 18th century. Began to decline then extinct due to the development of the Batik industry around the 1930s. In the 1960s, the tie and dye textiles were spread across the world that often mistaken by the community as ‘Pelangi’ cloth, although the design characteristics were different. The objectives of this study are to identify the elements and to show how the textile motifs design features are. This research used field study methods, interviews and library studies. The novelty of this study is to reveal the actual character to avoid misinterpretation and misperception of the community. Keywords: Characteristic, Cloth, Local ‘Pelangi’, Motif. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2308
This study is partly an ongoing project to identify the floral motifs design on Sarawak traditional Malay songket. This project begins with a review of related literature that provides an example of textile—also supported with visual data on Sarawak traditional Malay songket gathered from the field visit, which is captured into the digital compilation. The identification process defined that the Sarawak traditional Malay songket motifs mainly develop from various floral sources reflecting and inspiring nature. This study shared different design Malay songket motifs in Sarawak and represent their tradition in textile heritage. Keywords: Malay; Motifs; Sarawak; Songket eISSN: 2398-4287© 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI4.2902
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.