Michiko Tsushima’s chapter discloses the relationship between trauma and skin in considering Watt as a ‘skin of words’ woven by Beckett—a psychic skin that he tried to recover—and, at the same time, as something that reveals the ‘force and truth’ of trauma. First, with the help of Didier Anzieu’s concept of ‘the Skin Ego’, Tsushima explores the possibility that Beckett’s act of writing Watt can be considered an attempt to recover the psychic skin by weaving a ‘skin of words’. This act of writing has a therapeutic aspect. She also argues that Watt explores the ‘force and truth’ of trauma which cannot be resolved or assimilated. Tsushima shows how the ‘force and truth’ of trauma manifests itself as a violence to the surface of language, a force that disrupts the apparatus of linguistic representation.
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