This article draws on the concept of the chronotope – spatiotemporal entanglements theorized in literary and anthropological studies – and extends the same to an engagement with and an understanding of the experiential and ontological defamiliarization, deceleration and suspension of space, time and security generated by the COVID-19 pandemic. This article, thus, offers a study of COVID-19 as a connective metaphor and a crisis chronotope – denoting the un-certain space–time marked and defamiliarized by changed orders and vocabularies of presence, distance, trust, tactility and memory – characterizing a world of alienation, insecurity and fear of infection. In arguing how the globality of COVID-19 has ironically informed isolation, incomplete identification and new fiction-formations, while also foregrounding the difference between human time and planetary time, the article will re-examine the crisis chronotope through a study of sudden death and the defamiliarized public space, exemplified in the city of New Delhi during the second wave of the pandemic in April–May 2021.
This article analyses the politics of the literary canon of the early twentieth century Malayalam novels with particular focus on the impact of the novel Indulekha (1889) in literary history. The inception of novel as a literary genre is widely regarded as a point of departure for Malayalam literature leading to the development of modern Malayalam, thereby shaping a distinct Malayali identity. Interestingly, the literary histories which established the legacy of Malayalam prose tend to trace a linear history of Malayalam novels which favoured the ‘Kerala Renaissance’ narrative, especially while discussing its initial phase. This calls for a perusal of the literary critical tradition in which the overarching presence of Indulekha has led to the eclipsing of several other works written during the turn of the twentieth-century, resulting in a skewed understanding of the evolution of the genre. This article would explicate in detail, on what gets compromised in canon formation when aesthetic criteria overshadow the extraliterary features. It also examines how the literary history of early Malayalam novels shaped the cultural memory of colonial modernity in Kerala.
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