excavates and dissects one of the few musical "genres" (if this can indeed be labeled as such) that has inspired and continues to inspire hatred and discrimination worldwide: white-power and neo-nazi hate music. Although there exists a notable body of work on the topic (e.g. Corte & Edwards, 2008; Futrell et al., 2006), Dyck significantly advances these studies by shedding light on the global character of Bibliography Corte Ugo & Edwards Bob (2008), "White Power music and the mobilization of racist social movements," Music and Arts in Action, 1(1), pp. 4-20.
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