Convolutional Neural Networks (CNNs) have had great success in many machine vision as well as machine audition tasks. Many image recognition network architectures have consequently been adapted for audio processing tasks. However, despite some successes, the performance of many of these did not translate from the image to the audio domain. For example, very deep architectures such as ResNet [1] and DenseNet [2], which significantly outperform VGG [3] in image recognition, do not perform better in audio processing tasks such as Acoustic Scene Classification (ASC). In this paper, we investigate the reasons why such powerful architectures perform worse in ASC compared to simpler models (e.g., VGG). To this end, we analyse the receptive field (RF) of these CNNs and demonstrate the importance of the RF to the generalization capability of the models. Using our receptive field analysis, we adapt both ResNet and DenseNet, achieving state-of-theart performance and eventually outperforming the VGG-based models. We introduce systematic ways of adapting the RF in CNNs, and present results on three data sets that show how changing the RF over the time and frequency dimensions affects a model's performance. Our experimental results show that very small or very large RFs can cause performance degradation, but deep models can be made to generalize well by carefully choosing an appropriate RF size within a certain range.

This work addresses the problem of matching musical audio directly to sheet music, without any higherlevel abstract representation. We propose a method that learns joint embedding spaces for short excerpts of audio and their respective counterparts in sheet music images, using multimodal convolutional neural networks. Given the learned representations, we show how to utilize them for two sheet-music-related tasks: (1) piece/score identification from audio queries and (2) retrieving relevant performances given a score as a search query. All retrieval models are trained and evaluated on a new, large scale multimodal audio-sheet music dataset which is made publicly available along with this article. The dataset comprises 479 precisely annotated solo piano pieces by 53 composers, for a total of 1,129 pages of music and about 15 hours of aligned audio, which was synthesized from these scores. Going beyond this synthetic training data, we carry out first retrieval experiments using scans of real sheet music of high complexity (e.g., nearly the complete solo piano works by Frederic Chopin) and commercial recordings by famous concert pianists. Our results suggest that the proposed method, in combination with the large-scale dataset, yields retrieval models that successfully generalize to data way beyond the synthetic training data used for model building.

We introduce Deep Linear Discriminant Analysis (DeepLDA) which learns linearly separable latent representations in an end-to-end fashion. Classic LDA extracts features which preserve class separability and is used for dimensionality reduction for many classification problems. The central idea of this paper is to put LDA on top of a deep neural network. This can be seen as a non-linear extension of classic LDA. Instead of maximizing the likelihood of target labels for individual samples, we propose an objective function that pushes the network to produce feature distributions which: (a) have low variance within the same class and (b) high variance between different classes. Our objective is derived from the general LDA eigenvalue problem and still allows to train with stochastic gradient descent and back-propagation. For evaluation we test our approach on three different benchmark datasets (MNIST, CIFAR-10 and STL-10). DeepLDA produces competitive results on MNIST and CIFAR-10 and outperforms a network trained with categorical cross entropy (having the same architecture) on a supervised setting of STL-10.

Score following is the process of tracking a musical performance (audio) in a corresponding symbolic representation (score). While methods using computer-readable score representations as input are able to achieve reliable tracking results, there is little research on score following based on raw score images. In this paper, we build on previous work that formulates the score following task as a multi-modal Markov Decision Process (MDP). Given this formal definition, one can address the problem of score following with state-of-the-art deep reinforcement learning (RL) algorithms. In particular, we design end-to-end multi-modal RL agents that simultaneously learn to listen to music recordings, read the scores from images of sheet music, and follow the music along in the sheet. Using algorithms such as synchronous Advantage Actor Critic (A2C) and Proximal Policy Optimization (PPO), we reproduce and further improve existing results. We also present first experiments indicating that this approach can be extended to track real piano recordings of human performances. These audio recordings are made openly available to the research community, along with precise note-level alignment ground truth.

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Cross-modality retrieval encompasses retrieval tasks where the fetched items are of a different type than the search query, e.g., retrieving pictures relevant to a given text query. The state-of-the-art approach to cross-modality retrieval relies on learning a joint embedding space of the two modalities, where items from either modality are retrieved using nearest-neighbor search. In this work, we introduce a neural network layer based on canonical correlation analysis (CCA) that learns better embedding spaces by analytically computing projections that maximize correlation. In contrast to previous approaches, the CCA layer allows us to combine existing objectives for embedding space learning, such as pairwise ranking losses, with the optimal projections of CCA. We show the effectiveness of our approach for cross-modality retrieval on three different scenarios (text-to-image, audio-sheet-music and zero-shot retrieval), surpassing both Deep CCA and a multi-view network using freely learned projections optimized by a pairwise ranking loss, especially when little training data is available (the code for all three methods is released at: https://github.com/CPJKU/cca_layer).

Currently, increasingly large medical imaging data sets become available for research and are analysed by a range of algorithms segmenting anatomical structures automatically and interactively. While they provide segmentations on a much larger scale than possible to achieve with expert annotators, they are typically less accurate than experts. We present and compare approaches to estimate segmentations on large imaging data sets based on a small number of expert annotated examples, and algorithmic segmentations on a much larger data set. Results demonstrate that combining algorithmic segmentations is reliably outperforming the average individual algorithm. Furthermore, injecting organ specific reliability assessments of algorithms based on expert annotations improves accuracy compared to standard label fusion algorithms. The proposed methods are particularly relevant in putting the results of large image analysis algorithm benchmarks to long-term use.

Music recommender systems have become a key technology to support the interaction of users with the increasingly larger music catalogs of on-line music streaming services, on-line music shops, and personal devices. An important task in music recommender systems is the automated continuation of music playlists, that enables the recommendation of music streams adapting to given (possibly short) listening sessions. Previous works have shown that applying collaborative filtering to collections of curated music playlists reveals underlying playlist-song co-occurrence patterns that are useful to predict playlist continuations. However, most music collections exhibit a pronounced long-tailed distribution. The majority of songs occur only in few playlists and, as a consequence, they are poorly represented by collaborative filtering. We introduce two feature-combination hybrid recommender systems that extend collaborative filtering by integrating the collaborative information encoded in curated music playlists with any type of song feature vector representation. We conduct off-line experiments to assess the performance of the proposed systems to recover withheld playlist continuations, and we compare them to competitive pure and hybrid collaborative filtering baselines. The results of the experiments indicate that the introduced feature-combination hybrid recommender systems can more accurately predict fitting playlist continuations as a result of their improved representation of songs occurring in few playlists.