In this paper, we propose an effective classification method for the silhouettes of various kinds of clothes. There are two approaches to analyzing clothes. The first method focuses on the basic elements of a garment's design, from the viewpoint of its creator. The second method features detailed categories with respect to the garment made. The silhouette of a garment is one of the most important pieces of information in fashion design trends. Here, we focused on classifying silhouettes that lead to the creation of trends, rather than classifying items made of clothing. This classification makes it possible to create a data set of silhouettes that can be used to multi-class classifications in a deep neural network.
The silhouette is an important element of fashion design. The designer's sensibility is expressed by the design changes in silhouette lines. The purpose of this research is to construct a silhouette classification criterion and renew the silhouette category, The analyzed images that capture the silhouette transformations were selected from recent designer's collections of luxury brands: Dior, a traditional luxury brand; Sacai, a new Japanese brand; and Doris Van Noten, one of the Antwerp Six. 11 measurement points used for the catwalk analysis were based on the reference points measured during the production of the clothes. The analysis utilized a combination of cluster analysis and multidimensional scaling. As the results, nine silhouette categories were obtained and the trend change was grasped visually by systematizing and classifying silhouettes that are important in predicting the future of fashion design. Moreover, this method could be applicable to automatic silhouette classification for unknown silhouettes.
:The main subject of our paper is to evaluate qualitatively the ambiguous fashion value. As this approach, we have adapted the repertory grid. The merit of this repertory grid approach is to use the laddering methods which analyze the human cognitive structure. Already the fashion marketing has described qualitatively the cognitive and affective value of the fashion consumers. The fashion marketing has called this fashion value "wearable needs". As the research method, the first step choice the small sample group in order to elucidate the "Love Metaphor". Then we interviewed the students about the picture they loved. According to the interview analysis we constructed the repertory grid of "Love Metaphor".
:My subject is to analyze the characteristics of the Fashion Engineering in Chinese SPA company through the case study about the decision making process of the Chief Design Officer. The meaning of fashion designers is to segment the customer group set of its designer. Then, designer images the styling, fabric and item design of the customer set. Designer' job is to make decision of the design process. Through the case study of the Cocoon's Chief Designer Officer I could understand not only the leadership of the holistic branding decision making about the styling, fabric and item design but also the assortment and profit of the brand.
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