The feminist disposition of "Margarita y el lobo" (1969) supposed the censorship of the film and the ostracism to its filmmaker, Cecilia Bartolomé, who was studing at the EOC. In this article we run over her previous short films to analyse first hints of protest in her work. Also, we want to find out how she used the musical expression to carry the feminist discourse out. Thanks to gender theory in musicology addressed by Susan McClary we are able to conclude a methodological vision of feminist analysis in music, exemplify by Bartolomé's film. Similarly, we discuss the role of music in "Margarita y el lobo". So, we will examine each song accepting discursive and referential function as key pieces of the film director.
This article presents the results of an investigation whose main objective has been to know the status of the communication department and, more specifically, how the areas that deal with intangible assets of listed companies in Spain are distributed.Design / Methodology / Approach: For this objective, a review of national and international bibliographic sources has been carried out, as well as in-depth interviews with those responsible for these areas in organizations.
Results:The results show an ideal organizational chart proposal to acknowledge the indicated place to establish those functions, as well as the main mistakes that are usually incurred. It ends by identifying the communication function as the one indicated to manage these resources, with the CCO leading the role, as well as a series of obstacles that prevent the consolidation of the imanagement of intangible assets within Spanish organizations.Limitations / Implications: This article provides visibility to the areas in charge of managing intangible assets and resources within large organizations, as well as their weight in corporate organization charts. However, there is still work to be done in small and medium-sized companies, which have very different resources and realities.Originality / Contribution: The role and structure of the people and departments in charge of managing intangible assets are analyzed not only from the literature review but also from the daily activities of companies, thus exploring their use in a precise and practical way.
Resumen. En el presente texto se aborda el tratamiento de la violencia en la película griega Canino (Kynódontas, Yorgos Lanthimos, 2009). En concreto, trata la presencia de la violencia objetivaaquella que Žižek considera invisible a nuestra mirada e inherente a un estado "normal" y pacífico de las cosas-en la imagen cinematográfica. A través del contraste de elementos opuestos en la forma-composición, iluminación, color-y en el contenido-contexto de la escena-descubrimos un lenguaje visual cinematográfico basado en la contención; en una violencia que se ejerce pero que no es posible ver a primera vista. Esta caracteriza una sociedad que, como señala Han, elimina la negatividad para suplirla por positividad y que finalmente nos devuelve, paradójicamente, una imagen perversa.
Este trabajo analiza Muerte de un ciclista (Juan Antonio Bardem, 1955) como una película-evento, film-événement, e investiga la resignificación que su director otorga al espacio de la Ciudad Universitaria de Madrid. La película de Bardem se presenta como el primer film español que muestra un relato diferente de las consecuencias de la Guerra Civil en el bando vencedor y utiliza la Universidad y su valor como ejemplo de territorio crítico al régimen, sirviendo de antecedente simbólico para las primeras manifestaciones de estudiantes en España durante el franquismo
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