The aim of the article is to take a short reflection on the issue concerning the psychological aspects of sound sensitivity -expressed in the phenomenon of misophony and phonophobia. The following description was briefly described: hyperacusis, phonophobia and misophonia, and melophobia, indicating the basic symptoms of disorders in a psychological context.
This paper aims to present issues related to the aesthetic experience of musical art in the context of selected theoretical assumptions of phenomenology. The key task is to show different perspectives of understanding the nature and way of experiencing music. The description deals with the following issues: limits of knowledge, phenomenological experience of music, phenomenological thought (musicology, psychology, and anthro- pology), penetration from philosophical thought to (music) psychology, and music ther- apy. Reflections on the qualitative-quantitative approach to the experience of musical art are complemented by considerations of music perception and aesthetic experience.
Celem artykułu jest przedstawienie refleksji nad wielowymiarowym zagadnieniem wyobraźni. Zaprezentowano definicję i pojęcie wyobraźni oraz wyobrażeń w wybranych kontekstach: wyobraźni twórczej vs odtwórczej, potencjału kreatywności i muzykoterapii. Przybliżono wyobraźnię muzyczną, występującą w modalności słuchowej, sygnalizując terapeutyczny aspekt wyobrażeń muzycznych i wyobraźni.
The article describes experimental applied music-therapy study about differential characteristics of personality and musical preferences traits for music’s regulation properties established empirically in a sample of 92 people, selected by illness, gender and education factors, with psychological musical measurement of TIPI, STOMP and MMR tools, with data of musical factor analysis and psychological analysis of distribution’s difference, as pragmatic music-therapy function for human’s health.
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