A key feature of humpback whale behavior, documented primarily on the breeding grounds, is the repertoire of the males' song. Song is made up of single units combined together into phrases, which are repeated to make up themes. A song consists of several themes sung in succession. This study qualitatively investigates the presence and structure of song recorded in the Gulf of Tribugá in the Colombian Pacific. Data were collected between June and September 2013, from which approximately 4 hours and 30 minutes of song were analyzed from five individual whales. Three distinct themes, always sung in the same order (theme 1-theme 2-theme 3) were identified. Theme 1 was the most predominant theme overall, and was present in each song session that was analyzed. The structure of each theme is described with accompanying spectrograms, and specific acoustic parameters further illustrate theme progression and characterize differences between whales. This study serves as the first published descriptive analysis of the song of stock G in this area, and suggestions are made for future directions of investigation. Research on humpback song is used as a part of the overall efforts of Macuáticos Colombia Foundation to educate the communities of the Gulf of Tribugá about the importance of conservation, and to advocate for stricter guidelines for safe whale-watching practices. RÉSUMÉLes baleines à bosse ont été observées dans le monde entier et elles migrent chaque année entre leurs zones de nourrissage dans les latitudes élevées et les aires de reproduction aux latitudes basses. Le chant des baleines à bosse est l'un des comportements lié à l'accouplement qui a été documenté sur les aires de reproduction. Ce chant est composé d'unités simples combinées dans des phrases et qui sont répétées pour composer des thèmes. Les chants sont composés de plusieurs thèmes et sont principalement émis par les mâles. L'étude actuelle a porté sur la présence et la structure du chant des baleines à bosse du G-stock enregistré dans le golfe de Tribugá dans le Pacifique colombien.Les données ont été recueillies entre juin et septembre 2013 à l'aide d'un hydrophone SQ26-08 au cours d'excursions en bateau qui se sont déroulées 3 fois par semaine. La structure du chant a été codée en utilisant Raven Pro 1.4. Environ 4 heures et 30 minutes de chant ont été analysées et les chercheurs ont identifié trois thèmes distincts qui ont toujours été entendus dans le même ordre. Le thème 1 dominait dans tous les enregistrements et était composé de répétitions de légères variations de l'expression 'ABABABAA'. Le thème 2 était composé de répétitions des unités 'F' et 'Bl', avec des variations de la phrase de multiples unités ré-pétées dans une rangée. Le thème 3 était composé de phrases ré-pétées d'une unité longue 'upsweep' tonale 'LU', suivie par une unité courte 'upsweep' tonale 'SU', parfois avec une unité 'downsweep' dans le motif. L'unité 'S' a été entendue pendant les transitions du thème 3 au thème 1. Le thème 1 a été entendu beaucoup plus fréquemme...
The ecotour industry continues to grow with a distinct focus on providing the public with up-close encounters with cetaceans. As a result, research focusing on both the effects of ecotourism on cetaceans and the efficacy of conservation-focused educational interventions for whale-watching operators is necessary to monitor and develop industry standards. Each year, whale-watching tours target humpback whales along their Colombian Pacific breeding grounds. There are many benefits to ecotourism in this area, including the use of whale-watching vessels as a platform for scientific research and environmental education. However, some whale-watching operators may lack species-specific knowledge and/or do not follow the suggested industry guidelines. Researchers held educational seminars for whale-watching staff at six hotels that border the Gulf of Tribugá. Seminars focused on whale anatomy, behavior, anthropogenic effects on the species, and sustainable whale-watching protocols. Participants were asked to complete a questionnaire aimed to assess constructs related to the conservation of this species. This self-report information was accompanied by implicit measures (e.g., sighting duration, distance from whales) recorded during tours in situ. Behavioral observations aimed at assessing whales’ response to ecotour vessels demonstrated that whales increased rates of surface-active behaviors (e.g., tail slashes) with increasing nearness and duration. Whale-watching operators’ conduct during sightings demonstrated that positive attitudes toward humpback whales did not translate into adherence to sustainable practices. This relationship between the whale-watching operators’ questionnaire results and their behavior in the field demonstrates the need for careful monitoring of this developing industry. This project represents a preliminary evaluation of this budding ecotour industry. Continued efforts to increase knowledge while promoting self-advocacy, positive perceived behavioral control, subjective norms, behavioral intentions, and attitudes towards these animals will enable the safeguarding of near-shore waters essential for breeding and nursing humpback whales.
The increase of oceanic shipping is a global predicament. The resulting proliferation of underwater noise levels is a serious concern for marine mammal welfare, as it has the potential to interfere with the communicative signals of bottlenose dolphins (Tursiops truncatus). The Lombard effect and other noise-induced vocal modifications may be employed to compensate for reduced signal-to-noise ratios. This study aimed to determine which vocal modifications dolphins use during experimentally controlled background noise conditions. Three dolphins (ages 30–52) participated in behavioral hearing tests using an adaptive up-down staircase, go/no-go procedure with 15 or 40 kHz tones. Tones decreased by 3 dB increments if a dolphin responded to the tone with a conditioned whistle, and increased by 3 dB if they did not. Dolphins performed this task during ambient noise (control) conditions, as well as three elevated bandpass noise (experimental) conditions: 0.6–5 kHz (115 dB re 1 μPa) and 0.6–10 kHz (115 and 125 dB re 1 μPa). The acoustic parameters of the dolphins’ response whistles and victory squeals, such as duration, frequency, amplitude, and response latency, were analyzed and compared between control and noise conditions. These data provide a complement to field studies of odontocete noise-induced vocal modifications in the wild.
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