Female circumcision has become a global political minefield, with ‘Western’ interventions affecting Egyptian politics and social development, not least in the area of democracy and human rights. As younger generation of women in Egypt informed by international human rights discourse begins to question norms still upheld by the previous generation, new dilemmas and tensions emerge. In this article, I discuss the risk that international interventions designed to modify local practices may fail when the local moral worlds in which such practices are embedded are inadequately understood. Rather than increasing women’s agency, such interventions may reduce it and instead produce a sense of sexual mutilation among women.
This article explores the Egyptian state’s production of desired manhood and destruction of unwanted masculinities in relation to home and displacement through audio-focused analysis and a focus on sonic infrastructures. While sonic infrastructures can be used as a form of political control and violence, my work in Egypt also shows how people, through sound and sonic resistance, navigate and shape sonic landscapes of insecurity, violence and liminality, as well as resisting displacement and claiming space. In Cairo, where political unrest over the past decade has produced new imaginaries and maps of belonging, men opposing the politics of the current regime have been expelled by the state from their own city; deprived of rights, safety, status and dignity. The institutions of state power employ sound as a political representation, and control, monitor, limit as well as threaten the population through the sonic. All of these sound systems operate at auditory, corporeal and sociocultural frequencies. There are countless examples of how materialised sonic experiences are consciously constructed and used by the autocratic military regime in Egypt to discipline and ‘produce’ its subjects, through for example forbidding particular music; monitoring its residents and thereby employing control by listening; using unbearable loud sounds during torture; or closing downtown bars, cafes and bookshops and thereby sonically controlling and limiting parts of the cityscape of Cairo. These sonic materialised experiences are connected to how gendered bodies are excluded, un/remade, produced, expressed and negotiated.
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