<p>Contra lo que es usual en los análisis sobre los movimientos de mujeres en América Latina, este artículo enmarca teóricamente el surgimiento y desarrollo de los casos específicos que estudia. Asimismo, se abunda sobre el contexto social y político en que se desarrollan ambas experiencias, lo cual permite reconocer las similitudes, pero también las diferencias que existen entre estos dos movimientos tan cercanos geográfica y temporalmente. Uno de los aspectos más interesantes que se desarrollan es la constatación de que en el caso de las mujeres centroamericanas, debido a su condición social, no es aplicable el modelo teórico que separa el espacio público del privado.</p>
The purpose of this study is to analyse the ways of visualization of hidden violence through a map of the city of violence called La Manada City, in its transformation from defensive to artistic strategies. For this analysis, firstly we propose the contextualization of the artwork and its authorship, and later, the research about the artistic and visual resources of the 257 items that make up the map and its guide street, in a sort of rustic hypertext of the emotions linked to the violence in the territory. The main findings of this study demonstrate the strength of the strategy used as a survival method in cases of bullying. As a conclusion, in spite of the therapeutic effects, this work cannot be understood as Art Therapy, but as combat art: it provides an understanding of the emotional city, of the disadvantaged groups that inhabit it, from the most local (as a transcript of the city of Seville) to global and universal effects on community life.
In this essay, we intend to demonstrate how the cities of Havana and Cádiz became mutable literary subjects that accompany the female characters of the narratives of female writers of the past decades from Havana (Anna Lidia Vega Serova, Ena Lucía Portela, and Mylene Fernández Pintado) and Cádiz (Ana Rossetti and Pilar Paz Pasamar). The ironic and delusional visions of a ruined life due to the special period, economic crisis, and political xenophobia in Cádiz will be illustrated by Cuban-Spanish mapping of the analyzed authors’ works. Our hypothesis stems from the idea that there is a clear relation between the representation of the city and political, cultural, and patriarchal transgression that is quoted in these texts (Bataille), which relates to the experience of scarcity/poverty lived on both sides of the Atlantic Ocean. Our bibliographic search has focused on the literary expression of the experience of these cities from the point of view of female writers and protagonists. We concluded with a universal understanding of the experience of the space marked by literature and the gaze of women.
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