This article studies the relationship between a set of variables related to the legal process and women’s disengagement from legal proceedings against their (ex)partners in Southern Spain. A total of 345 women answered a questionnaire. Results evidenced that request for a protection order (PO), granting such PO, imprisonment of the offender, and women’s perception of who decided during the process were significantly related to disengagement (medium effect size). In addition, a logistic regression model was developed to predict disengagement with two variables: granting a PO and women’s perception of who decided. Results are interpreted in terms of the necessity that the judicial system gives support, protects, and provides women with opportunities to participate in the recovery process.
La turistificación rápida e intensa surgió como parte de un fenómeno global anterior al estallido del coronavirus SARS-CoV-2, atrapando a destinos turísticos mundiales consolidados y emergentes. Sus ramificaciones perturbaron la tranquilidad de unos lugareños que se vieron enfrentados a diversos desafíos como la pérdida identitaria, la desigualdad social y el vaciado demográfico de los centros de las ciudades. El potencial subversivo de las prácticas híbridas que vinculan al arte con el activismo asumió su compromiso social ante las problemáticas y reivindicaciones surgidas de un modelo de desplazamientos turísticos sobredimensionado. En este artículo se exploran estudios de casos descriptivos que, en sus respectivos espacios de producción transcultural, tienen en común una perspectiva crítica ante el modelo vacacional referido. Específicamente, aborda los perfiles de trabajo y las reflexiones sensibilizadoras de Left Hand Rotation en Lisboa, Banksy en Venecia y Alejandro Villén en Málaga, así como a la muestra colectiva Alicántropo en Alicante.
Intimate partner violence (IPV) is an actual social issue which poses a challenge in terms of prevention, legal action, and reporting the abuse once it has occurred. In this last case, out of the total of female victims that fill a complaint against their abuser and initiate the legal proceedings, a significant number withdraw from it for different reasons. In this field, it is interesting to detect the victims that disengage from the legal process so that professionals can intervene before it occurs. Previous studies have applied statistical models to use input variables and make a prediction of withdrawal. However, it has not been found in the literature any study that uses machine learning models to predict disengagement from the legal proceedings in IPV cases, which can be a better option to detect these events with a higher precision. Therefore, in this work, a novel application of machine learning techniques to predict the decision of victims of IPV to withdraw from prosecution is studied. For this purpose, three different ML algorithms have been optimized and tested with the original dataset to prove the great performance of ML models against non-linear input data. Once the best models have been obtained, explainable artificial intelligence (xAI) techniques have been applied to search for the most informative input features and reduce the original dataset to the most important variables. Finally, these results have been compared to those obtained in the previous work that used statistical techniques, and the set of most informative parameters has been combined with the variables of the previous study, showing that ML-based models have a better predictive accuracy in all cases and that by adding one new variable to the previous work' subset, the accuracy to detect withdrawal improves by 7.5%.
Este artículo interroga la manera en que las instalaciones artísticas de Juan Muñoz y Chiharu Shiota utilizan la potencialidad de las narrativas cercanas y de las numerosas e influyentes metáforas espaciales para instaurar puntos de partida inductores de reflexiones sistemáticas y fructíferas. A raíz del texto Estética de la Instalación (2018) de Rebentisch, también se observa la eficacia de las imponentes y atrevidas puestas en escena de ambos autores como muestras de una expresión plástica que transgrede los límites de las categorías tradicionales y contemporáneas del arte.
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