Context. We present the second Gaia data release, Gaia DR2, consisting of astrometry, photometry, radial velocities, and information on astrophysical parameters and variability, for sources brighter than magnitude 21. In addition epoch astrometry and photometry are provided for a modest sample of minor planets in the solar system. Aims. A summary of the contents of Gaia DR2 is presented, accompanied by a discussion on the differences with respect to Gaia DR1 and an overview of the main limitations which are still present in the survey. Recommendations are made on the responsible use of Gaia DR2 results. Methods. The raw data collected with the Gaia instruments during the first 22 months of the mission have been processed by the Gaia Data Processing and Analysis Consortium (DPAC) and turned into this second data release, which represents a major advance with respect to Gaia DR1 in terms of completeness, performance, and richness of the data products. Results. Gaia DR2 contains celestial positions and the apparent brightness in G for approximately 1.7 billion sources. For 1.3 billion of those sources, parallaxes and proper motions are in addition available. The sample of sources for which variability information is provided is expanded to 0.5 million stars. This data release contains four new elements: broad-band colour information in the form of the apparent brightness in the GBP (330–680 nm) and GRP (630–1050 nm) bands is available for 1.4 billion sources; median radial velocities for some 7 million sources are presented; for between 77 and 161 million sources estimates are provided of the stellar effective temperature, extinction, reddening, and radius and luminosity; and for a pre-selected list of 14 000 minor planets in the solar system epoch astrometry and photometry are presented. Finally, Gaia DR2 also represents a new materialisation of the celestial reference frame in the optical, the Gaia-CRF2, which is the first optical reference frame based solely on extragalactic sources. There are notable changes in the photometric system and the catalogue source list with respect to Gaia DR1, and we stress the need to consider the two data releases as independent. Conclusions. Gaia DR2 represents a major achievement for the Gaia mission, delivering on the long standing promise to provide parallaxes and proper motions for over 1 billion stars, and representing a first step in the availability of complementary radial velocity and source astrophysical information for a sample of stars in the Gaia survey which covers a very substantial fraction of the volume of our galaxy.

Resumen: El activista político y prolífico artista Woody Guthrie (1912Guthrie ( -1967 es conocido a nivel internacional como una de las figuras más representativas de la música folk norteamericana. Su autobiografía Bound for Glory, publicada por primera vez por E.P. Dutton en 1943, es un perspicaz relato de los años de la Gran Depresión y de los viajes subsiguientes. Star Books la publicó por primera vez en España en 1977 y en 2009 lo hizo Global Rhythm Press. Este artículo estudia el relevante papel sociocultural que ambas editoriales han desempeñado en la España posfranquista y en la época actual, cómo el texto ha sido (re)traducido y si la segunda traducción ha modernizado a la primera para colmar las expectativas de los lectores contemporáneos.Palabras clave: retraducción; contracultura; posfranquismo; Woody Guthrie; autobiografía.Abstract: Political activist and prolific artist Woody Guthrie (1912Guthrie ( -1967 is internationally renowned for being one of the most representative figures of American folk music. His autobiography Bound for Glory, first published by E.P. Dutton in 1943, is a vivid account of the Great Depression years and the travels that followed. It was first published in Spain by Star Books in 1977 and later by Global Rhythm Press in 2009. This paper explores the relevant socio-cultural role played by both publishing houses in post-Francoist and modern-day Spain, and looks at the way the text has been (re)translated, assessing whether the second translation modernised the first in order to fulfil the expectations of contemporary readers.

No abstract

The Star-Books collection, published by Producciones Editoriales S. A. from 1975 to 1982, is a foremost example of the post-Francoist counterculture and one of the best chronicles of this period of Spanish history. The collection became a viable platform for various national and international authors who had remained silenced for decades at a time when books were still subjected to official censorship. Star-Books stood out for its eclectic nature and its rebellious spirit, reflected in the striking covers and themes, which clashed against Francoist orthodoxy. This paper highlights the collection’s role in promoting the counterculture in Spain and sheds light on how censorship operated in this period. Detailed analyses of the sociopolitical context, the Star-Books catalogue, the available censorship materials, and several collection titles show the more permissive nature of post-Francoist censorship.

This paper presents a corpus-based descriptive research procedure for the identification of significant divergences between original Spanish and Spanish translated from English. When considering the language pair English-Spanish, personal pronouns seem to be good markers of significant differences (anchor phenomena), since they must obligatorily occur in English, but not in Spanish. To test this hypothesis, empirical data have been extracted from a large reference corpus in Spanish (CREA) and from an English-Spanish parallel corpus (P-ACTRES), in both cases from the fiction subcorpora. Statistically significant differences have been found in some of the uses of personal pronouns, having textual and pragmatic implications in the target texts. The aim is to use the results obtained in the case of personal pronouns, together with results from other linguistic areas, to build a semi-automated tool for the post-editing of Spanish translations of texts written originally in English.