Peculiarities of author’s transformations and interpretations of folklore imagery in the formation of special forms and types of metatext structures in Yakut literature are examined from the point of view of the specifics of genre synthesis: architectonics, figurative-motivational complex, structural-compositional, poetic structure, etc. On the basis of new methodological approaches, literary texts are defined as unique models of genre contamination (meta-genre cyclic formations, montage polycyclic form, “poet’s drama,” etc.). Particular attention is paid to a system-typological study of the issue of meta-genre structures in lyrical and dramatic works. As a result of the research, the author substantiates the position that in the Yakut literature, starting from the middle of the 20th century, a synthetic form of meta-genre structures begins to develop as a qualitatively new phenomenon. It is revealed that the construction of meta-genre forms is based on the formal and meaningful parameters of the imagery of traditional folklore sources, which in the artistic text acquire a new quality depending on the author’s reflection.
Кириллина Мария АфанасьевнаСпецифика внутреннего сюжета в драме в стихах "Долина Кѐряйи" И. Гоголева Цель исследования -выявить особенности внутреннего сюжета в тексте стихотворной драмы народного писателя Якутии И. Гоголева "Долина Кѐряйи". На основе анализа сюжетостроения драмы в стихах выявляются концепты, "случайные реплики", рассматриваются сквозные образы и мотивы, которые служат раскрытию внутреннего сюжета в драме. В тексте также определяется функция хора как один из аспектов выявления сквозных мотивов в творчестве поэта-драматурга. Научная новизна исследования заключается в системном анализе "драмы поэта" как жанрового образования на материале якутского писателя. В результате доказано, что внутренний сюжет, связанный с лирическим началом и формой выражения авторского сознания, является одним из жанрообразующих признаков "драмы поэта".
Peculiarities of author’s transformations and interpretations of folklore imagery in the formation of special forms and types of metatext structures in Yakut literature are examined from the point of view of the specifics of genre synthesis: architectonics, figurative-motivational complex, structural-compositional, poetic structure, etc. On the basis of new methodological approaches, literary texts are defined as unique models of genre contamination (meta-genre cyclic formations, montage polycyclic form, “poet’s drama,” etc.). Particular attention is paid to a system-typological study of the issue of meta-genre structures in lyrical and dramatic works. As a result of the research, the author substantiates the position that in the Yakut literature, starting from the middle of the 20th century, a synthetic form of meta-genre structures begins to develop as a qualitatively new phenomenon. It is revealed that the construction of meta-genre forms is based on the formal and meaningful parameters of the imagery of traditional folklore sources, which in the artistic text acquire a new quality depending on the author’s reflection.
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