Numerical simulation was used to evaluate the effectiveness of an oil spill response plan developed by Western Canada Marine Response Corporation (WCMRC) for the southwest coast of Canada. The plan was part of the permitting process for a proposed terminal expansion that would result in an increase in tanker traffic. The purpose of this response evaluation was to point the way to the development of a risk-informed enhanced oil spill response capacity that would be capable of managing large spills in coastal British Columbia. The oil spill weathering and tracking model, SPILLCALC, was used for the evaluation, and was modified to meet the needs of this study. Three-dimensional currents and water properties were provided by the hydrodynamic model, H3D; waves were simulated using the wave model, SWAN, and winds were obtained from the local network of coastal light stations and wind buoys. Booms and skimmers were the two primarily mitigation methods considered here. Mitigation inputs such as deployment time, storage capacity and speed were based on existing and proposed equipment stored in the main WCMRC facility and at outlying caches. Results confirmed the need to reduce the time to first response due to the effects of currents on the floating oil and the close proximity of shorelines along the proposed shipping route. In addition, results validated the need to upgrade availability of early on-water storage capacity, which could be met by a large fast storage vessel, enabling the spill response to be more efficient and to obtain a much higher recovery rate.
The publication of Charlotte Roche's controversial novel Feuchtgebiete, along with a wave of nonfiction popfeminist writings, prompted heated debates in 2008 among different generations of German feminists. Despite their attempts to call attention to historically persistent forms of sexism, popfeminists quite emphatically distanced themselves from Alice Schwarzer, the face of German feminism for over thirty-five years. Yet casting themselves as rebels who break away from Schwarzer's second-wave feminism has necessitated that they suppress affinities and shared blind spots in order to underscore their ostensibly less dogmatic, more fun approach. Feuchtgebiete, Alexa Hennig von Lange's Relax and Elke Naters's Lügen depict generational conflicts in terms of fraught bonds between mothers and daughters, a dynamic which sheds light on these tensions among feminists. This essay highlights the coexistence in each novel of a pop sensibility with aspects of contemporary and historical feminism. If the former feeds highly individual choices and signifying acts, the latter points to a collective identity and social movement. As much as the protagonists experience the chasm between these two poles, they also point to forward-thinking ways of re-conceptualizing feminism.
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