The concept of journalism, its metatheory and, in particular, public service journalism is regulated by feedback between political models (legal and normative framework), academic precepts and social practices. Scant attention has been paid to date to the impact that these models have on citizens' discourses, which is especially relevant at "critical junctures", i.e. periods in which the old institutions are collapsing and require renovation (McChesney, 2007). Hence, this paper addresses the issue in the Spanish context in order to explore the similarities and differences between the academic/legal/normative framework and audience discourses. The former has been studied using documents, reports and legislation, and the latter explored by means of discussion groups with viewers of the newscasts of Televisión Española (TVE).
Resumen: La creación poética de Chantal Maillard se construye en variación sobre los mismos temas y figuras: hilos, agujeros, cuerpos, heridas, tiempo, miradas, dificultad de decir. Bajo estos temas y figuras, el problema de la otredad: ¿cómo representar?, ¿cómo entrar siquiera en contacto auténtico con lo otro? En este artículo propondremos un acercamiento a la cuestión a partir de un análisis retórico, intertextual y semiótico-estructural del libro de poemas La herida en la lengua.Abstract: Chantal Maillard’s poetic creation has been built on variations from the same themes and figures, such as threads, holes, bodies, wounds, time, gazes, or difficulty to say. So, these themes and figures refer the otherness topic: how it could be represented? Are we even able to get in trully contact with others? In order to propose an approach to this topic, in this essay, the poem’s book La herida en la lengua shall be analysed by using Rethorics, Intertextuality and Structural Semiotics.
This article analyses the possibilities for citizen participation that have emerged in the public sphere as a result of the remediation dynamics between television and the Internet, particularly regarding the expansion and convergence trends that are taking place in both media. In the current landscape, the rivalry between television and the Internet becomes evident in users" consumption habits and discourses. Objectives: The article has two objectives: to identify Spanish people"s perception and consumption of television, in its traditional and modern formats and platforms, and to establish the extent to what Spanish people know about and use second screens and other interactive media. Methods: The study is based on a qualitative approach that involves four focus groups and two individual interviews. The opinions of a total of 26 people were taken into account in the study. Results and conclusions: With the exception of people over 65 years of age, expansion dynamics prevail over convergence dynamics among Spanish people.
En primer lugar, el fenómeno selfie consiste simplemente en volver del revés la sintaxis fotográfica con el fin de hacer coincidir en la misma instancia al fotógrafo y al objeto fotografiado. No obstante, más allá de esta operación, el selfie tiene que ver con el régimen escópico de la sociedad de comienzos del siglo XXI. El presente ensayo analiza un archivo de fotografías digitales tomadas y publicadas en Internet durante el año 2014, todas ellas compuestas de acuerdo con esta estructura enunciativa auto-consciente. En último término, se tratará de establecer una tipología cultural semiótica en torno a la estructura del ver y del ser visto a través de la web 2.0. Abstract:First of all, the selfie phenomena consists on turning inside the photoghraphic syntax, in order to concentrate into the same instance the photographer and the object of the photography. In addition to this, it has to deal with the visual structure of the society at the begining of the XXIst century. On that way, this essay may analyze some digital pictures which has been taken and published on the Internet during the year 2014 which have been composed according to this self conscient enunciation. At least we may be able to build a semiotic cultural typology about the structure of watching and being watched through the web 2.0.Palabras clave:selfie; sí mismo; cultura visual digital; fotografía digital; panopticon; semiótica.Keywords:Selfie; Self; Visual Digital Culture; Digital Photography; Panopticon; Semiotics.
This article explores the relevance of voice, recognition and consent as central attributes of the subject of participatory journalism. On the understanding that in democracy the design of political and social organisation ought to favour a process that develops the public voice of citizens, it explores the role that journalism, above all the public service kind, plays in meeting this objective. From this perspective, an analysis is performed on the discourses of the viewers of the newscasts of the Spanish public TV channel TVE, with a view to determining to what extent public recognition is based on the following three elements: (1) the recognition of citizens as such, (2) their capacity to give or withhold their consent and (3) to develop a voice capable of vindicating participation. The discussion and results aim to contribute to the debate on the ‘critical juncture’ of media history, at which the information ecosystem is undergoing far-reaching changes.
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