In this article, we provide the results of preliminary archaeological and epigraphic research undertaken at the site of Lacanjá Tzeltal, Chiapas. Field research conducted in 2018, in collaboration with local community members, has allowed us to identify this archaeological site as the capital of a kingdom known from Classic period Maya inscriptions as "Sak Tz'i'" (White Dog). Because all previously known references to the kingdom came from looted monuments or texts found at other Maya centers, the location of the Sak Tz'i' kingdom's capital has been the subject of ongoing modeling and debate among scholars. Here we synthesize prior epigraphic and archaeological research concerning Sak Tz'i', highlighting past efforts to locate the kingdom's capital. We then discuss the results of preliminary survey, mapping, and excavations of Lacanjá Tzeltal, and present the first drawing and decipherment of Lacanjá Tzeltal Panel 1, the sculpture crucial for centering this "lost" Maya kingdom.
We present results from the archaeological analysis of 331 km2 of high-resolution airborne lidar data collected in the Upper Usumacinta River basin of Mexico and Guatemala. Multiple visualizations of the DEM and multi-spectral data from four lidar transects crossing the Classic period (AD 350–900) Maya kingdoms centered on the sites of Piedras Negras, La Mar, and Lacanja Tzeltal permitted the identification of ancient settlement and associated features of agricultural infrastructure. HDBSCAN (hierarchical density-based clustering of applications with noise) cluster analysis was applied to the distribution of ancient structures to define urban, peri-urban, sub-urban, and rural settlement zones. Interpretations of these remotely sensed data are informed by decades of ground-based archaeological survey and excavations, as well as a rich historical record drawn from inscribed stone monuments. Our results demonstrate that these neighboring kingdoms in three adjacent valleys exhibit divergent patterns of structure clustering and low-density urbanism, distributions of agricultural infrastructure, and economic practices during the Classic period. Beyond meeting basic subsistence needs, agricultural production in multiple areas permitted surpluses likely for the purposes of tribute, taxation, and marketing. More broadly, this research highlights the strengths of HDBSCAN to the archaeological study of settlement distributions when compared to more commonly applied methods of density-based cluster analysis.
A fundamental distinction is made in craft production between custom or bespoke creation and mechanical reproduction that generates multiple iterations of the same form. In Mesoamerica, technologies of reproduction are attested by around the sixth century bc in the form of moulding and stamping, and they become increasingly common in ceramic production in the Maya and neighbouring regions in the third or fourth century. Beginning in the Late Classic period (c. 600–830 ad), Maya artisans applied them to the hieroglyphic script as well, generating a corpus of texts that are at once fundamentally distinct from and intimately linked to the broader scribal tradition dominated by hand-written texts. This article examines Classic Maya texts moulded and stamped on ceramics in the context of scribal practice and the social and cultural role of the script. I argue that these artefacts manifest changes not only in hieroglyphic production, but also in writing's role in user communities. Consequentially, they invite reconsideration of scribal practice's relationship to other crafting traditions, as well as the diversity of modes of engaging in Classic Maya scribal tradition.
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