I present the installation Geographies of the Imagination, an arts-based ethnography about longterm exile, as a form of public ethnography that unveils the acquisition and transmission of ethnographic knowledge as interactive, emergent, and creative. I will show how the methods of collaboration and art making created bodily forms of knowledge among the participants and the audience at the exhibition of the installation that have the potential for stimulating new thinking. The use of these methods advanced the acquisition of ethnographic knowledge, and heightened the development of empathy among the participants and the researcher. Furthermore, the public exhibition of this installation allowed the participants to exercise social justice, and created a setting for socially experiencing embodied knowledge.
The Spears of Twilight: Life and Death In the Amazon Jungle. Phillippe Descola. Janet Lioyd, trans. New York: New Press, 1996. xii. 445 pp., illustrations, maps, glossaries, references, indexes.
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