This article examines an emerging group of "T-style" female singers in the popular music scene in China. The expression "T," which is developed from the term "tomboy," refers to lesbians with masculine gender style. It is a widely used form of identification in local lesbian communities in China. The emergence of "T-style" female singers coincided with the rapid development of local lesbian communities in major cities in China. By exploring the intersections-or mutual modeling-of "T-style" singers and local lesbian gender culture, this article also analyzes the different receptions of "T-style" singers by local lesbian women, and explores whether "T-style" singers are seen as a "cultural resource" that aids the construction of lesbian gender and sexual identities.
During the past decade, we have witnessed the rise of Shanghai as a new metropolitan centre in China. The city has also become one of the most vibrant sites of lesbian community in the country. The author interviewed 20 lesbian women in the city in 2005. It is found that almost all of the women interviewed are experiencing the pressure of social conformity most severely from their immediate family, and the social expectation of marriage. In this paper, the author demonstrates the conflicts of family and marriage that many of the informants have encountered and how the hegemony of heterosexuality is still securely reproduced and carried out through the discourses of family and marriage in contemporary urban China, and finally, how the informants deal with the controls enacted by the institution of heterosexuality. doi:10.1300/ J155v10n03_06.
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