ABSTRACT:The absence of a ‘real’ urban chronicle tradition in fifteenth-century Flanders similar to the Italian or German models has raised questions among scholars. However, there is also no satisfactory consensus on the exact meaning or contents of medieval ‘urban historiography’. Some were ‘official’ city chronicles, while others lauded patrician lineages or took the viewpoint of specific social groups or corporate organizations and reinforced construction of the groups’ collective memories. Some seem to express the literary aspirations of individual city officials or clerics with strong connections to their towns. We propose an analytical framework to identify and measure the ‘urbanity’ of late medieval chronicles, taking into account the authorship and thematic emphasis of historiographical texts, but focusing on the social environment of their circulation and the ideological strategies at work.
Medieval Bruges was an important international economic hub in the late Middle Ages. Similar to other luxury goods, manuscripts produced in Bruges were intended for both local and international audiences. This article scrutinizes the specific urban context of Bruges as a multilingual contact zone focusing on quantitative data of extant manuscripts and case-studies of professional and non-professional book production. The dominance of francophone manuscripts in a Dutch-speaking town is noteworthy and called for an actively bilingual community of book professionals. Furthermore, the social competition of locally embedded social groups (court, merchants, craft guilds) influenced language choice as well. Both ‘official’ production of books for trade by professional writers and librarians, and the ‘private’ multilingual literary accomplishments of Bruges city-dwellers, illustrate the multilingual dynamics of urban contacts in Bruges.
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