Since the horrific bombings of the World Trade Center and the Pentagon and the declaration of war against terrorism, policy makers have repeatedly urged us to spend. The Federal Reserve cut interest rates to encourage home sales and purchase of “big-ticket” items. New York Mayor Rudolph Giuliani suggests that we travel, go shopping, seek entertainment, attend plays, rather than, as in World War II, buy bonds, recycle tin, and ration consumer goods.Yet the current connection of luxury and war frames a historical paradox. Medieval and early modern prescriptive literatures link luxury not with times of war but with peace leading to decadence. The de-moralization of the idea of luxury, historians of consumption argue, only took place in the later seventeenth century when writers such as Nicholas Barbon and Bernard Mandeville recognized the importance of luxury to the economy. Eighteenth-century luxury consumption, fueled by new wants and new wares purchased by middle-class consumers, it is argued, marked a sharp departure from the court centered consumption of previous centuries.
In an exhibition at the National Portrait Gallery of the work of William Dobson entitled “The Royalists at War,” one portrait among the Cavalier soldiers and commanders was that of Sir Thomas Aylesbury. Aylesbury holds in his hand a document that begins, “To the King's most Excellent Majesty The Humble Petition.” By posing in his official black robes that evoke the solemnity of the law and by giving the petition prominence, Aylesbury celebrates his position as a master of requests. As a master of requests even at Oxford in the 1640s, it was his role to present petitions to the king asking for redress of grievances or for personal advancement, in short, asking for royal bounty. As Dobson's portrait signifies, such petitions were not merely the seedy clamorings of early Stuart courtiers but an open and important link between the monarch and the subject, one suitable for commemoration in portraiture. The painting makes concrete, even in the midst of civil war, the king's traditional role as guarantor of justice and giver of favor. While the king's promise of justice goes back to early Anglo-Saxon dooms and tenth-century coronation oaths, his giving of largesse had expanded with the Renaissance monarchy of the Tudors.Historians of early modern Europe have become interested in court patronage as they have analyzed politics and political elites. From the fifteenth to the eighteenth century, from the work of MacFarlane to Namier, the study of relationships between patrons and clients has been at the forefront of modern historiography.
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