The significance of religious rituals often reaches beyond their strict religious intentions. Specifically a procession, performed in front of the public, is a most effective instrument of disseminating a message to the crowds. Consequently, this ritual, as is well known, has often been used not only in religious but also in secular contexts; a procession under the cloak of religion can even become a politically useful medium to avoid popular disturbances on peaceful terms. This was the case in ancient Ephesus, where Roman power conflicted with Greek culture from the middle of the first century B.C. onwards. In the beginning of the second century A.D. the public religious life in the city of Ephesus was to a great extent characterized by processions relating to the cult of Artemis Ephesia. The one traditionally performed on the birthday of the goddess called to mind the Greek origin of the city; it was strictly associated with the religious sphere bringing about a close relationship between the goddess and her adherents. The other, artificially created by a Roman, was entirely secular, and spread its message every fortnight in the streets of Ephesus. It referred to the political field of action and intended to strengthen the Roman rule over the city. The Greek origin of Ephesian culture was later included in the message of the procession, reminding the Greeks not to rebel against Roman rule.
In dealing with ecstasy in antiquity, scholars usually refer to Euripides' "Bacchanals"' as one of the most reliable sources with regard to this phenomenon. This drama can also be supplemented by vase paintings, which to a great extent deal with motives from the circle of Dionysos. We can observe that the ecstatic experience, as depicted by Euripides contains such psychological phenomena as hallucinations, including optical, acoustic and olfactive delusion, anesthesia, delusion as to one's own strength and possession. Euripides' description can be explained in different ways according to the view taken of religion and its function.
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