Community murals in US innercity neighborhoods offer popular, grassroots representations of local identities and their relation to urban space and community culture. They are powerful tools in building neighborhood solidarity across ethnic groups, generations, and defended gang territories. Designed primarily for local consumption, murals circulate dramatic, alternative representations of local identity, heritage and history, contesting attributions of stigma and danger promulgated in mainstream media. In Boston's Dudley Street corridor that crosscuts its Roxbury and Dorchester neighborhoods, both low-income communities of color, these themes are evident in the presence of a vibrant series of community murals lining the one-mile long street. Designed and painted by local youth under the sponsorship of grassroots communitybased organizations, the murals give voice to urban youth's hopes, struggles, and aspirations for their individual and collective futures, from their positions in disadvantaged, multi-ethnic neighborhoods in a city sharply divided by race and class. Murals, public art, urban ethnography, youth. The visual culture of cities . . .represents a central formative feature of the lives and identities of contemporary citizens and demands ethno-bs_bs_banner
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Parkour is a relatively new practice in Portugal. It became popular in Lisbon because it has some public places, including Telheiras and the Parque das Nações, that are appreciated by parkour protagonists. Telheiras has a very special architecture that is ideal for parkour jumping, while the Parque das Nações is a renewed part of the city with good areas and is well served by public transport promoting the meetings between traceurs from across the city and the country. Focusing on the results of an ethnography that has these two points as its main research fields, we will discuss how an examination of these practices requires the construction of an ethnography of urban flows within a multi-scale analysis. This article is based on the results of doctoral research. Intensive fieldwork was carried out with participant observation and the use of ethnographic methodology in an attempt to understand the traceurs’ map of Lisbon.
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