The purpose of this paper is to identify and investigate the role of Romanian post-communist witness literature for contemporary historiography in outlining national and social (self-)images. This type of literature, written mostly by former political detainees, is perceived by literary criticism as a specific borderline segment partly relevant as historical documents and partly as literary texts. Applying the conceptual pattern coined by Giorgio Agamben. in his analysis based upon the national socialist concentration camp, to post-communist depositional literature reveals two focal directions of imagological relevance: on the one hand, the points of similarity and difference of totalitarian practices in creating stereotypes, cultivating the sense of absolute antagonist otherness and promoting distorted ethnic, social and national images and. on the other hand, the particular contributions and limitations posed by the post-totalitarian depositional discourse in (re)-creating national and social (self-)images.
According to different approaches to pronoun processing, in pro-drop languages, null pronouns are interpreted as referring back to the grammatical subject and topical referent, while overt pronouns are usually interpreted as coreferring with a non-subject and non-topical antecedent. The present study investigates whether thematic role and grammatical function impact (overt and null) pronoun production in Romania. Results show that we do not encounter a clear division of labour between the two pronoun forms triggered by syntactic structure alone and that thematic roles matter as well. The findings support a multi-dimensional approach, suggesting that different referential forms are constrained by different factors.
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