This paper considers how digitisation can be mobilized by museums as a tool of both photographic preservation and access by placing the materiality of its objects at the fore. Using the digitisation workflow of the acetate negatives in the Berenice Abbott Archive at the Ryerson Image
Centre this paper will address these concerns. First, this paper will describe the material aspects of Abbott’s acetate negatives, and the preservation issues in the collection. Second, it will describe the monitoring of vinegar syndrome present in the collection and the development
of a digitisation workflow based on acetic acid off-gassing and the development of a priority sequence. Third, this paper will demonstrate how digitisation can be used to preserve and provide access to the object, its condition, and the image without sacrifice.
James Hall Nasmyth (1808–1890) was an accomplished engineer and amateur astronomer. The culmination of Nasmyth's drawings from telescopic observation, the advent of photomechanical print processes, and his interest in the causative features of the lunar surface, led to the 1874 publication of The Moon: Considered as a Planet, a World, and a Satellite. This thesis provides a comprehensive catalogue of the lunar illustrations in the first three editions, revealing the aesthetic variations in the illustrative plates due to reproduction and print processes used. These processes include: engraving, photogravure, heliotype, lithograph, chromolithograph, and four different variations of the Woodburytype. The editions are contextualized using scientific photographs as illustrations, through a discussion of astronomy, book production, and Nasmyth's biography. Through an examination of Nasmyth's use of photography and permanent print processes, this thesis argues that his lunar illustrations remain an important scientific contribution.
James Hall Nasmyth (1808–1890) was an accomplished engineer and amateur astronomer. The culmination of Nasmyth's drawings from telescopic observation, the advent of photomechanical print processes, and his interest in the causative features of the lunar surface, led to the 1874 publication of The Moon: Considered as a Planet, a World, and a Satellite. This thesis provides a comprehensive catalogue of the lunar illustrations in the first three editions, revealing the aesthetic variations in the illustrative plates due to reproduction and print processes used. These processes include: engraving, photogravure, heliotype, lithograph, chromolithograph, and four different variations of the Woodburytype. The editions are contextualized using scientific photographs as illustrations, through a discussion of astronomy, book production, and Nasmyth's biography. Through an examination of Nasmyth's use of photography and permanent print processes, this thesis argues that his lunar illustrations remain an important scientific contribution.
James Hall Nasmyth (1808–1890) was an accomplished engineer and amateur astronomer. The culmination of Nasmyth's drawings from telescopic observation, the advent of photomechanical print processes, and his interest in the causative features of the lunar surface, led to the 1874 publication of The Moon: Considered as a Planet, a World, and a Satellite. This thesis provides a comprehensive catalogue of the lunar illustrations in the first three editions, revealing the aesthetic variations in the illustrative plates due to reproduction and print processes used. These processes include: engraving, photogravure, heliotype, lithograph, chromolithograph, and four different variations of the Woodburytype. The editions are contextualized using scientific photographs as illustrations, through a discussion of astronomy, book production, and Nasmyth's biography. Through an examination of Nasmyth's use of photography and permanent print processes, this thesis argues that his lunar illustrations remain an important scientific contribution.
James Hall Nasmyth (1808–1890) was an accomplished engineer and amateur astronomer. The culmination of Nasmyth's drawings from telescopic observation, the advent of photomechanical print processes, and his interest in the causative features of the lunar surface, led to the 1874 publication of The Moon: Considered as a Planet, a World, and a Satellite. This thesis provides a comprehensive catalogue of the lunar illustrations in the first three editions, revealing the aesthetic variations in the illustrative plates due to reproduction and print processes used. These processes include: engraving, photogravure, heliotype, lithograph, chromolithograph, and four different variations of the Woodburytype. The editions are contextualized using scientific photographs as illustrations, through a discussion of astronomy, book production, and Nasmyth's biography. Through an examination of Nasmyth's use of photography and permanent print processes, this thesis argues that his lunar illustrations remain an important scientific contribution.
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