Many national parks contain private lands and non-park economic functions that can interfere with management purposes. The number and variety of these "threats" depend on the degree to which the boundary of a new park encloses previously settled lands and economic development. Yellowstone is the only example of a major park established before European American settlement; it is largely free of inholdings and non-park uses. By contrast, Glacier National Park, founded in 1910, and Mojave National Preserve, created in 1994, unavoidably incorporated private lands and previous uses. Despite vigorous National Park Service efforts to eliminate them, many remain, and even those removed have left a landscape legacy. The temporal and spatial relationships shown by these latter parks exemplify those found throughout the national park system and suggest parallels with the political creation of nation-states.
National parks share many obvious landscape char acteristics. One of them goes largely unnoticed-infrastructure to provide water, sewerage, and garbage services. This paper traces the gradual adoption of romantic-era concepts about shielding human intrusions in parks from public view by Park Service landscape designers during the early twentieth century. It focuses on sewerage, water, and garbage facilities which were essential to serve growing numbers of visitors, but highly antithetical to the idea of wilderness parks. After several years of ad hoc practice, the Park Service ultimately crafted specific guidelines on how best to sequester sanitation and other in trusive facilities from view. These largely unnoticed utilities safeguard the public health of visitors and contribute to the consistent landscape of the park system.
ABSTRACT. The Great Northern Railway vigorously encouraged visitation to Glacier National Park between 1911 and 1930. We reconstruct the railway's promotional imagery of Glacier through an assessment of 796 photographs used by the company to publicize park landscapes and activities. Seven themes in the photographs—Native Americans, scenery, recreation, wildlife, the Wild West, park management, and personalities—reveal a useful portrait of how Glacier National Park was marketed with images of the American West mass distributed for decades by one of the nation's most influential corporations.
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