The first main assignment required in the first six weeks of Writing II class was designed on the expressivist approach. The article provides an actual class realization when the assignment was given to a group of thirty, English-major students at one Jordanian university. Those six weeks were a mixture of hard work, complaint, excitement, and actual texts produced. An overview of the theoretical basis on which the assignment was built is provided followed by a quick account of how the class was conducted employing expressivist pedagogy. At the end of the sixth week, students were asked to write a one-page journal entry to reflect on and evaluate their writing experience. The article tries to analyze this journal entry to uncover what students learned from doing the assignment and how they evaluated their learning. Analysis reveals that students achieved firsthand knowledge of the writing process and the requirements needed to develop readable effective texts. They finished the assignment believing that they had high potentials, that they could produce texts of good quality and with purpose-just like real writers. In other words, they could write; they could become authors.
This paper presents a hermeneutic reading (from a Gadamerian perspective) of the complex relationships that tied the two fields of Composition Studies and Literary Criticism within the English department and across the academia. These two academic disciplines have remained in a dynamic, interactive, reciprocal relation throughout the decades. The paper surveys the published scholarship in the field of Composition Studies and presents a reading of the different themes, philosophies, and approaches that have kept the two fields in an interactive, dialogic process of formation. Terms and concepts from philosophical hermeneutics are introduced and employed to explain this relation.
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