The present study aims to investigate actions and perceptions about sustainability used in companies in the municipality of Crateús in the State of Ceará. The study was based on authors such as Gil (1999) and Barbiere (2009). The research is classified as exploratory, descriptive, documentary and also field research with companies that make use of some sustainable practices. Data were obtained through interviews with the companies' managers and through documents provided by them. The analysis of the results reveals that the managers see the concept of sustainability only in its environmental dimension, however, their actions also reach the social dimension. The actions taken also vary in terms of their extent, which are partly influenced by their concept of the subject. The motivation for actions varies between companies, from achieving a good image with customers, improving the surrounding community or institutional influences. It can be concluded that the developed sustainable attitudes are relevant to the regional context, but need, with the exception of company C, to strategically integrate the organizational objectives. This research contributes with the knowledge of the theme applied to the region and recommends researches that relate the influence of the public power in the environmental responsibility of the region.
No âmbito da criação musical, variadas são as alternativas disponíveis ao que se propõe à missão de adentrar neste processo. Dentre as múltiplas ferramentas inerentes à realização de tal tarefa, pode haver, por vezes, ambiguidade de significações em termos como a composição, arranjo e transcrição musical. Ao elucidar a diferença e compreender como tais técnicas podem se relacionar, propõese, aqui, a elaboração de um arranjo composicional, para coral a quatro vozes, a partir de duas toadas do Boi-Bumbá de Parintins, sendo estas: "Amazonas Meu Amor" e "Rio Amazonas", bem como a realização de uma análise musical descritiva e minuciosa acerca do arranjo construído, apontando as técnicas nele utilizadas e descrevendo as escolhas tomadas no processo composicional da obra, desde seu planejamento até sua conclusão. Descritores: Arranjo Composicional; Toada de Boi-Bumbá; Análise Musical; Música Coral.
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