We present a new auditory illusion, the gap transfer illusion, supported by phenomenological and psychophysical data. In a typical situation, an ascending frequency glide of 2,500 msec with a temporal gap of 100 msec in the middle and a continuously descending frequency glide of 500 msec cross each other at their central positions. These glides move at the same constant speed in logarithmic frequency in opposite directions. The temporal gap in the long glide is perceived as if it were in the short glide. The same kind of subjective transfer of a temporal gap can take place also when the stimulus pattern is reversed in time. This phenomenon suggests that onsets and terminations of glide components behave as if they were independent perceptual elements. We also find that when two long frequency glides are presented successively with a short temporal overlap, a long glide tone covering the whole duration of the pattern and a short tone around the temporal middle can be perceived. To account for these results, we propose an event construction model, in which perceptual onsets and terminations are coupled to construct auditory events and the proximity principle connects these elements.

When a long glide with a short temporal gap in its middle crosses with a continuous short glide at the temporal midpoint of both glides, the gap is perceived in the short glide instead of in the long glide. In the present article, we tested possible explanations for this "gap transfer illusion" by obtaining points of subjective equality of the pitches and durations of the two short tones that are subjectively divided by the gap. The results of two experiments showed that neither an explanation in terms ofenvelope patterns nor explanations in terms of combinationtones or acoustic beats could account for the perception of the short tones in the gap transfer illusion. Rather, the results were compatible with the idea that the illusory tones were formed by the perceptual integration of onsets and offsets of acoustically different sounds. Implications for the perceptual construction of auditory events are discussed.

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When a long ascending tone with a temporal gap in the middle and a short continuous descending tone cross each other, a long continuous ascending tone and a short descending tone are often perceived with a temporal gap in the middle. This is an illusory phenomenon because the physical temporal gap of the ascending tone seems to be transferred to the descending tone perceptually. This phenomenon was named ‘‘the gap transfer illusion.’’ Many related stimulus patterns were compared which confirmed the robustness of this illusion. An onset and a proximate termination tended to be connected to each other perceptually, forming an auditory event. The proximity of the temporal dimension seemed more important than the proximity of the frequency dimension. When onsets had no proximate termination, the illusion disappeared. Several new phenomena to which the same idea can be applied were found.