Understanding paintings as physical systems is fundamental for advancing environmental specifications that would allow for effective management of museum environments in terms of reducing energy use and carbon emissions while maintaining high standards of collection care. The current environmental specifications were derived using the criterion of the crack initiation in undamaged, usually new, material. In reality, historical paintings exhibit complex crack patterns called craquelures. The present paper analyses painted wood which is among the category of cultural objects most vulnerable to relative humidity and temperature fluctuations and frequently found in museum collections of various kinds. Fracture toughness determined experimentally for the most brittle component of pictorial layer-the ground layer (gesso) is used as a 'failure criterion' . Comparison of energy release rate-calculated for the model of the gesso laid on a wooden substrate using finite element analysis-with the structure toughness, allowed the fracture saturation expressed as the ratio of spacing between cracks S to gesso layer thickness t to be determined for various combinations of the gesso stiffness and geometries of structural flaws at which cracks initiate. For flat geometry of a panel painting and panel thickness of 40 mm, representing the worst-case, largest stresses in the gesso layer, the fracture saturation occurs when S/t is larger than 5, even if flaws in the gesso layer are present. The paper shows that the fracture saturation significantly changes vulnerability of paintings to climate variations-a panel painting with developed craquelure network is significantly less vulnerable to climate variations than an undamaged one.
ABSTRACT:When it comes to capturing the geometry of a cultural heritage artifact, there is certainly no dearth of possible acquisition techniques. As technology has rapidly developed, the availability of intuitive 3D generating tools has increased exponentially and made it possible even for non-specialists to create many models quickly. Though the by-products of these different acquisition methods may be incongruent in terms of quality, these discrepancies are not problematic, as there are many applications of 3D models, each with their own set of requirements. Comparisons of high-resolution 3D models of an iconic Babylonian tablet, captured via four different closerange technologies discussed in this paper assess which methods of 3D digitization best suit specific intended purposes related to research, conservation and education. Taking into consideration repeatability, time and resource implications, qualitative and quantitative potential and ease of use, this paper presents a study of the strengths and weakness of structured light scanning, triangulation laser scanning, photometric stereo and close-range photogrammetry, in the context of interactive investigation, conditions monitoring, engagement, and dissemination.
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