In two of the most significant and influential contemporary exponents of German philosophical anthropology, anthropogenetic accounts play a large role. Hans Blumenberg and Peter Sloterdijk have presented their mode of philosophical anthropology as a philosophical anthropogenealogy. To this end both of them have ventured into an alliance with paleoanthropology, incidentally drawing on the same paleoanthropolgist, the forgotten pioneer of philosophical anthropology: Paul Alsberg. Taking this observation as its cue, the article addresses two questions. What are the motives for philosophical anthropology to turn into philosophical anthropogenealogy? What is the methodological status of anthropogenetic accounts in philosophical anthropology? By reflecting on these questions the article aspires to convey a synthesis of themes in contemporary German philosophical anthropology and introduce them especially to an English-speaking audience.
In Works of Love, Søren Kierkegaard introduces the idea that God’s love is “the middle term.” It is a love that manages to be in the middle of all created being. To that extent, love is not just one relation among others, but the “being-in-relation” as such. It is, in Heideggerian terms, “the with” of being-with. This implies, further, that the middle is as inconspicuous as it is ubiquitous. According to Martin Buber, however, there is a privileged relation to the middle in the I–Thou relation. It is here that it reveals itself. For Buber, this is so on the strength of two important traits of this dyadic relation: that it is dialogical and personal. It is in dialogue that I and You are responsive to the word of God; and it is in personal co-presence that the theophany of “the absolute person” may occur. This paper explores these tenets of “philosophy of dialogue” at their fringes. Accordingly, it explores the impersonal in the person and the monologue in dialogue. More specifically, it aims to show how: (a) the impersonal in the person is disclosed in love and angst and how (b) the monologue in dialogue is expressed in a poetics of the impersonal.
Taking its cue from Heidegger two questions are addressed in the article: a) How did human beings uno actu, i.e. by throwing, distance themselves from what in return became their world and come into being as humans? and b) How did this point of departure set off history? A response to these questions is found in a paleoanthropologically informed approach. In regard to the first question a connection between projectile technology and vertical position is presented and summed up in a non-substantialistic concept of self-preservation. In regard to the second question this concept of self-preservation is then elaborated in terms of Paul Alsberg's "principle of exclusion of the body" as the principle governing the ongoing becoming of man. The article aims to present the hand, and especially the throwing hand, as a fruitful paradigm when interpreting the conditio humana.
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