At a time coinciding historically with the height of the British Empire, the immigrants' rush to occupy American West lands and the wholesale removal of Native Americans onto reservations, encounters between Native peoples and British women travellers became emblematic of a whole range of socio-spatial relationships of domination, subordination and resistance. In this paper, I examine representations of western Native Americans in the travelogues of ten British women travellers to the late nineteenth-century American West, produced primarily during encounters at sites along the western rail lines. Constructions of racial and gender differences in the texts can be tied to British colonial discourses, as well as to the social relations inherent in the multiple contact zones within which the encounters took place. key words nineteenth-century American West British travel-writing Native Americans post-colonial studies railroad travel

This paper develops a framework for exploring resonances across human and nonhuman carceral geographies. I illustrate the close linkages across prisoner and animal carcerality and captivity focusing on three types of sites and institutions: the prison execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; and sites and institutions of exploited prisoner and animal labor. The main themes that call for a "carceral comparison" among these sites include: the emotional and psychological strain and violence enacted on bodies that is interwoven into their day-to-day operations; their geographies (locations, design, and layout) and carefully regulated movements within them; relationships between carcerality and "purpose breeding" that extends across both nonhuman and human populations; the ways in which "animalization" of incarcerated bodies works to create conditions for social death and killability; and the legal and political contexts that produce certain lives as disposable "bare lives".

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In this paper we trace one pervasive expression of hegemonic New Zealand national identity that developed around the sport of mountaineering from the 1880s, culminating in Sir Edmund Hillary's historic rst climb of Mount Everest in 1953. The image of the masculine mountaineering hero, developed on and around New Zealand's highest peak, Mount Cook, is, however, inherently unstable, and we focus on two sites of potential disruption. First, we examine the experiences of white mountaineering women on Mount Cook. These women both embraced the masculinist identity of hero and destabilized it. Women's mountaineering points to the active and complex construction (rather than simple reproduction) of imperialisms, nationalisms and masculinities. Second, we examine the role played by the Hermitage Lodge situated at the base of Mount Cook. Narratives about mountaineering too often ignore the huts, lodges, the places of staying behind. The roles performed by women (and some men) who never had the opportunity and/ or the desire to climb but instead 'kept the home res burning' and supported the efforts of others can be examined as a way of productively challenging the entrenchment of national identity around the masculine mountaineering hero.

The US penitentiary at Lewisburg, Pennsylvania, was retrofitted in 2008 to offer the country's first federal Special Management Unit (SMU) program of its kind. This model SMU is designed for federal inmates from around the country identified as the most intractably troublesome, and features double-celling of inmates in tiny spaces, in 23-hour or 24-hour a day lockdown, requiring them to pass through a two-year program of readjustment. These spatial tactics, and the philosophy of punishment underlying them, contrast with the modern reform ideals upon which the prison was designed and built in 1932. The SMU represents the latest punitive phase in American penology, one that neither simply eliminates men as in the premodern spectacle, nor creates the docile, rehabilitated bodies of the modern panopticon; rather, it is a late-modern structure that produces only fear, terror, violence, and death. This SMU represents the latest of the late-modern prisons, similar to other supermax facilities in the US but offering its own unique system of punishment as well. While the prison exists within the system of American law and jurisprudence, it also manifests features of Agamben's lawless, camp-like space that emerges during a state of exception, exempt from outside scrutiny with inmate treatment typically beyond the scope of the law.

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Among the many British women abroad in the late nineteenth century were a number of travellers who toured the American West with a naturalist's pen and sketchbook. California, with its giant sequoias and redwoods, scenic Yosemite Valley and Sierra Nevada, and the Mediterranean flora of the southern coasts, especially attracted travellers with a naturalist orientation. We examine the botanical and naturalist writings and art of two well-known (and well-heeled) world travellersConstance Gordon Cumming and Marianne North -and another more obscure British aristocrat, Theodora Guest, sister of the Duke of Westminster, who travelled in California in the late nineteenth century. We examine relationships among these elite women's association with the Romantic aesthetic and naturalist traditions, natural sciences, class-based associations between women and flowers, and emergent environmentalism. The works of these women indicate the process by which natural history rhetorics and styles became embedded within gender, class, and imperial relations; and how the division of natural history into professional and amateur domains relegated women to discursive margins. key words women naturalists British travel writing American West