In addition to its beginnings within legal scholarship, Critical Race Theory (CRT) is intimately aligned with the long tradition of African American social critique, which sought to interrogate the intractable nature of racism and White supremacy. Within this intellectual tradition, the works of W.E.B. Du Bois are of critical significance. Du Bois' critique of racism, in addition to his theories of education, anticipate many key aspects of CRT. Additionally, Du Bois illuminates fruitful spaces that are of great relevance to contemporary scholars engaged in a critical analysis of race and racism in their global and domestic contexts, within both education and the broader society.
The African combat arts have been central to the struggle of African people for self-determination. They have been critical as vehicles of resistance, while also serving a number of important social roles such as being a basis for group cohesion, expressing the kinesthetics of African culture, functioning as a venue for various African musical traditions, and—most notably—providing a means for self-protection. One additional and significant role that these arts have taken on is as a means for cultural reclamation for African people and also as healing modalities. This essay explores the latter theme, examining how such healing is enacted through the learning and practice of Capoeira.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.