Museums and science centers hold a unique position in the media and political landscape as trusted information sources and are emerging as key players in climate change debates. The modes of engagement with audiences, visitors, and publics allow museums to provide sensorial and affective experiences though the agency of objects and immersive environments, which facilitate an active role on the part of audiences in cocreating narratives around climate change. This article draws on the research findings of an Australian Research Council Linkage project, Hot Science, Global Citizens: the agency of the museum sector in climate change interventions. Hot Science was an international, interdisciplinary project that interrogated the roles of museums and science centers in climate change as places to provide information, activate and broker discussions, and decisions around climate change issues, locally and transnationally. We put forward nine propositions, distilled from the project research findings and the sector‐wide views presented during a symposium held in 2011. We use these propositions to look critically at the ways in which climate change challenges the established concepts and practices of museums and science centers as places of influence, relevance, and certainty in an uncertain world. This includes, for example, the way science is produced, represented, and communicated. Recognizing the complexity and multiscalar nature of climate change entails building more effective responses that translate into action. The big task of the museum sector is not only to inform publics on the science of climate change but also to equip citizens with tactical knowledges that enable participation in actions and debates on climate change that affect their futures. WIREs Clim Change 2013, 4:9–21. doi: 10.1002/wcc.200 This article is categorized under: Perceptions, Behavior, and Communication of Climate Change > Communication Social Status of Climate Change Knowledge > Knowledge and Practice Trans‐Disciplinary Perspectives > Humanities and the Creative Arts
International audienceIn this article we describe how the historical emergence and rise of future studies, since the founding issue of Futures in 1967, has been intricately connected to the emergence and development of environmental anticipation as discourse and practice. We trace a dialectical and intertwined relationship between technologies of environmental anticipation and forecasting, and technologies of anti-environmentalist anticipation and intervention, one which we argue has shaped the contemporary politics of anticipation, and in a very material sense, continues to shape the future of biological and social life on Earth. In so doing we want to critically address the very contrasted contributions that the field of futures studies can make to collective agency and to reimagining collective ways of being on Earth. The article also introduces this special issue of Futures on " The Politics of Environmental Anticipation " with the aim to bring to the fore the role that social scientists play in environmental anticipation – ie. drawing attention to the fact that the future could always have been otherwise. As a whole, this stimulating collection of eight original articles provides a critical assessment of a range of sites where varied and conflicting politics of environmental anticipation get constituted and resisted
The article analyses the role of the internet in informing and shaping indigenous knowledge and offers a critical examination of the uses of internet by Mapuche indigenous activists in Chile. It describes the ways in which the internet has been appropriated as an efficient political tool to rearticulate a renewed Mapuche cultural imaginary, constructed in the realm of the virtual but grounded in the materiality of the everyday struggle for cultural survival and ethnic recognition. Through a critical reading of several Mapuche websites hosted in Chile and Europe, the paper analyses how and why new media have been embraced as a fertile field of symbolic and political struggle. It is argued that the internet has been constructed, promoted and used as an incipient counter public sphere to the state, the national imaginary and corporate interests becoming an important mediator for the articulation of a Mapuche ‘activist imaginary’. It is demonstrated how the World Wide Web has been a key tactic in the Mapuche responses to the mainstream media's distorted construction of a Mapuche conflict to refer to the current Mapuche uprising started on December 1997.
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