This paper looks forward in investigating NFT (Non-Fungible Tokens) Communities through the case study of the CryptoPunks collection as deterritorialized assemblages with a clear ethic posture towards market (financial and art) decentralization, taking into account the interpretations of the meaning(s) of the action, having a view on philosophical theory close to the Crypto community as well as the perception of users and experts on the matter. The investigations works on the direction of finding said meaning through an analysis on the semantic and pragmatic levels, distinguishing between discourses and the practices carried out within the Blockchain, with a particular focus on the Ethereum Network to make emphasis on the mechanisms which allow said assemblage.Additionally, I hope to draw the importance of the human-inhuman interaction in the sociological field, focusing on the possibilities of sociability which are established semantically as well as pragmatically in the technical and technological advancements, taking into account our current time of growing automation and algorithmization of interactions.As a conclusion, we find that ethicity is distributed differentially between the semantic and pragmatic moments, as foundational discourses and the uses taken by the collectionists are far off in their meaning. Such discourses usually go in favour of decentralization of the economy in the privilege of heteronomic and heterarchical forms of constructing value and subjectivities, meanwhile, the uses taken by the collectionists usually undergo in the meaning of maximizing investments which were pushed onto the digital assets tied to NFT contracts, and as such, the community is bonded as far as the speculation of a collection maintains its upward momentum. The community, gestated as an assemblage on its motivation for speed, deterritorialization and decoding is captured by users co-opted by the discourses of capital as an Entrepreneur of himself, seeing digital art assets as maximizers of capital, locking into a loop much like stock market practices.
El presente trabajo es una investigación acerca de la agencia de lo no humano, en particular, la tecnología, a través del ejemplo de la comunidad de coleccionistas de criptoarte CrypoPunks. Esto se lleva a cabo mediante una revisión de literatura que versa la filosofía simondoniana de la técnica, la Teoría Actor-Red (TAR), la teoría de los ensamblajes de DeLanda y el aceleracionismo, los cuales convergen operativamente para brindar una visión relacional de aquello que los actantes pueden hacer dentro de un ensamblaje, y cómo las mutaciones culturales propiciadas por la tecnología son funcionales como vectores de aceleración para la creación de subjetividades contemporáneas, las cuales se ven impulsadas a desbordar el tecnocapital de forma inmanencial. El estudio concluye con la dificultad y complejidad de localizar la agencia de la tecnología si no es tenida en cuenta la cultura cibernética y la esclavitud a la que son sometidas.
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