This study aims to reflect on the process of adoption of the preprints publication model, briefly delimiting its history and current use by the national and the international scientific community. Departing from the literature and a consultation of preprint repositories, this reflection intends to highlight the main challenges that preprint implementation will face in the Nursing area, along with its specificities. While considering its benefits for scientific dissemination, this study points out the difficulties that may arise from the implementation of mostly north-American science models in a peripheral country such as Brazil. This work intends to contribute to an important theoretical discussion, which should precede the significant changes expected from the adoption of such a model in the Brazilian scientific context.A emergência dos preprints para a ciência brasileira: considerações sob a ótica da enfermagem La emergencia de los preprints para la ciencia brasileña: consideraciones bajo la óptica de la enfermería How to cite this article: Souza JRS. The emergence of preprints for Brazilian science: considerations from the Nursing area. Rev Esc Enferm USP. 2019;53:e03534. DOI: http:// dx.

Shakespeare no teatro do pós-guerra britânico: Bingo de Edward Bond, a relação arte-sociedade e o uso estratégico do cânone Shakespeare in postwar british theatre: Bingo by Edward Bond, the art-society relation and the strategic use of the canon

This work aims to analyse the play Serjeant Musgrave's Dance (1959) by John Arden. To accomplish this, a contextualization of the post-Second World war period is made and subsequently a summary of the theatre in this period which established a new moment especially after 1956. The study also covers how the Epic Theatre was consolidated in Britain in the 1950s. Finally, a brief biography of the playwright is stated, highlighting his most important plays. In a second moment, an analysis of the play by John Arden considering its main formal and thematic aspects such as the war, messianism and the possibility of political agency by the individuals is presented. In the third chapter, the dissertation draws a contrast between Arden's play and the play Mother Courage and Her Children (1939) by Bertolt Brecht. From a comparative perspective, the political potential of Brechtian Epic Theatre as it was constituted in Arden's work and in PostWar Britain Theatre is pointed out.