Based on qualitative responses from journalists working in 67 countries, this article presents evidence from a comparative assessment of normative journalistic roles. Different from other types of journalistic roles, normative roles refer to professional aspirations as to how journalism and journalists are supposed to contribute to society. While these roles are typically studied through standardized sets of statements, this study builds on journalists’ own assessments of what should be the most important roles of journalism in their societies. The material for this analysis was obtained from the 2012–2016 wave of the Worlds of Journalism Study. Responses of 20,638 journalists from around the world yielded 45,046 references to journalistic roles. Results show that journalists still see their normative roles primarily in the political arena – a finding that is consistent across the countries investigated. In non-Western countries, journalists articulated a normative demand for intervention in social processes and a more constructive attitude toward ruling powers. Overall, our analysis demonstrates that the normative core of journalism around the world is still invariably built on the news media’s contribution to political processes and conversations, while other areas, such as the management of self and everyday life, remain marginalized.
Je consacre une partie importante de mon temps libre à des activités liées à la musique.Likert-Scale J'aime écrire à propos de musique (ex. sur des forums, des blogs…).Likert-Scale Je suis intrigué(e) par les styles musicaux qui ne me sont pas familiers et je veux mieux les connaître.
Likert-ScaleJe lis ou je cherche souvent sur internet des informations en lien avec la musique.Likert-Scale Je ne dépense pas beaucoup d'argent à la musique.Likert-ScaleNegative item La musique est une sorte d'addiction pour moije ne pourrais pas vivre sans elle.
Likert-ScaleJe garde la trace des nouvelles musiques que je découvre (nouveaux artistes ou morceaux).
Likert-ScaleDurant les 12 derniers mois, j'ai assisté à 0 / 1 / 2 / 3 / 4-6 / 7-10 / 11 ou plus évènement(s) musical/musicaux live comme spectateur.
Do people need to explicitly encode conditioned stimuli–unconditioned stimuli (CS–US) pairings for evaluative conditioning (EC) effects to emerge? Despite the large number of studies that addressed this issue, no simple answer has emerged yet. In part, this is due to the relative lack of experimental evidence for the role of awareness of the CS–US contingency at encoding in EC. In the present experiment, participants’ encoding of the CS–US pairings was experimentally manipulated by relying on foveal and parafoveal presentations of the CSs. More specifically, spatial locations (i.e., foveal vs. parafoveal) of the CSs and US valence (i.e., positive vs. negative) were manipulated within participants, and CS–US pairings were counterbalanced across participants. Results reveal explicit encoding of the CSs and EC effects for the foveal CS presentations only. We discuss the implications of these experimental findings for the associative and propositional approach to EC.
Background: More than a symptom, dyspnoea is an existential experience shaping the lives of those afflicted, particularly when its persistence despite maximal pathophysiological treatments makes it pervasive. It is, however, insufficiently appreciated by concerned people themselves, family members, healthcare professionals and the public (dyspnoea invisibility), limiting access to appropriate care and support. Aim: To provide a better understanding of dyspnoea experiences and its invisibility. Design: Interpretative phenomenological analysis of data collected prospectively through in-depth semi-structured interviews. Setting/Participants: Pulmonary rehabilitation facility of a tertiary care university hospital; 11 people (six men, five women) with severe chronic obstructive pulmonary disease (stages 3 and 4 of the 4-stage international GOLD classification) admitted for immediate post-exacerbation rehabilitation. Results: We identified several types of dyspnoea invisibility depending on temporality and interlocutors: (1) invisibility as a symptom to oneself; (2) invisibility as a symptom to others; (3) invisibility as an experience that cannot be shared; (4) invisibility as an experience detached from objective measurements; (5) invisibility as an experience that does not generate empathic concern. The notion of invisibility was present in all the identified experiential dimensions of dyspnoea. It was seen as worsening the burden of the disease and as self-aggravating through self-isolation and self-censorship. Conclusions: The study confirmed that dyspnoea invisibility is a reality for people with advanced chronic obstructive pulmonary disease. It shows dyspnoea invisibility to be a multifaceted burden. Future research should aim at identifying individual and collective measures to overcome dyspnoea invisibility.
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