Recepción: 10 de febrero de 2016 Fecha de aceptación definitiva: 31 de mayo de 2016 reSUmen: Durante los últimos años, se ha visto un creciente interés por indagar acerca de las narrativas que predisponen a las personas a establecer un determinado curso de acción hacia la población con discapacidad. El objetivo del estudio fue analizar los discursos dominantes sobre la discapacidad en Colombia, a través de la revisión de 42 videos de la Fundación Teletón, una institución que organiza un evento televisivo anual de 27 horas continuas, a través del cual se busca obtener recursos económicos para sostener centros de rehabilitación dedicados a brindar atención a población con discapacidad física. La ruta metodológica se trazó desde el análisis crítico del discurso de Van Dijk 1 Esta publicación es un producto del proyecto "Empoderamiento para el ejercicio pleno de sus derechos de niñas y mujeres con discapacidad, víctimas del conflicto armado colombiano", financiado por la Universidad de Ibagué, realizado entre los años 2013 y 2015.
La noción asociada del acuerdo de paz que tienen un grupo de madres de Bogotá y la forma en que se transmite culturalmente a sus hijos, es el centro de esta investigación. El objetivo del presente texto es mostrar las tensiones que se producen entre la esfera de lo estatal y la vida cotidiana, al tiempo que exponer cómo ello contribuye a comprender la importancia o no del acuerdo de paz firmado entre el Estado colombiano y Fuerzas Armadas Revolucionarias de Colombia (FARC-EP) en la cotidianidad de sus hogares.
Eight records of seismic-induced pore-water pressure and corresponding acceleration records were gathered from aftershocks of the 25 to 27 May 1980, Mammoth Lakes, California, earthquake sequence. The records were obtained from lakeshore sediments at Convict Lake that had undergone liquefaction and subsequent lateral-spreading failure. The pore-pressure records showed several similarities to corresponding strong-motion acceleration records. The pore-pressure traces show clear P- and S-wave phases and are in phase with corresponding P-wave components of the acceleration records. S-wave components of pore-pressure records appear most similar in waveform to one or the other of the corresponding horizontal acceleration components. Although the P-wave portions of pore pressure are in phase with their acceleration counterparts, the amplitudes are not related by a strictly proportional factor. S-wave portions of the porepressure records show a phase lag compared to the S wave of the respective acceleration trace. In most cases, the frequency of the pore-pressure S-wave components are also about 5 Hz lower in frequency than the acceleration S waves.
This chapter analyzes the lyrics of the songs of hip-hoppers from Bogotá. Such analysis privileges the way such songs are staged, as well as the tensions that emerge between their proposal of social mobilization and the show. In effect, the spectacle is constituted at the same time, in a tool of mobilization, as in an obstacle that deactivates the hip-hoppers' discourse. There are three key narrative axes: the presentation of street life; the critique of social order; and the memory of hip-hop itself in Bogotá. Through these narrative strategies, young people build a representation of themselves, their reality, and their work.
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