Large online music databases under Creative Commons licenses are rarely recorded by well-known artists, therefore conventional metadata-based search is insufficient in their adaptation to instrument players’ needs. The emerging class of smart musical instruments (SMIs) can address this challenge. Thanks to direct internet connectivity and embedded processing, SMIs can send requests to repositories and reproduce the response for improvisation, composition, or learning purposes. We present a smart guitar prototype that allows retrieving songs from large online music databases using criteria different from conventional music search, which were derived from interviewing 30 guitar players. We investigate three interaction methods coupled with four search criteria (tempo, chords, key and tuning) exploiting intelligent capabilities in the instrument: (i) keywords-based retrieval using an embedded touchscreen; (ii) cloud-computing where recorded content is transmitted to a server that extracts relevant audio features; (iii) edge-computing where the guitar detects audio features and sends the request directly. Overall, the evaluation of these methods with beginner, intermediate, and expert players showed a strong appreciation for the direct connectivity of the instrument with an online database and the approach to the search based on the actual musical content rather than conventional textual criteria, such as song title or artist name.

In this paper, we perform an in-depth evaluation of a large number of algorithms for chord estimation that have been submitted to the MIREX competitions in 2010, 2011 and 2012. Therefore we first present a rigorous scheme to describe evaluation methods in a sound, unambiguous way that extends previous work specifically to take into account the large variance in chord estimation vocabularies and to perform evaluations on select sets of chords. Then we take a look at the evaluation metrics used so far and propose some alternative ones. Finally, we use these different methods to get a deeper insight into the strengths of each of the competing algorithms and show that the choice of evaluation measure greatly influences the ranking.

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In this paper, significant improvements of a previously developed key and chord extraction system are proposed. The major improvement is the introduction of a separate acoustic model, designed to verify local key hypotheses. The conducted experimental evaluation shows that the presented system improves the state of the art in local key estimation. Our experimental study further demonstrates that the chord estimation performance is already quite robust, whereas the key estimation performance still happens to be sensitive to a number of factors. In particular, we present figures that illustrate the significant impact of the embedded musicological model and the duration of the processed excerpt on the key estimation accuracy.

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