This article examines the relationship between utopian production and reception via a reading of the work of the great utopian author and theorist William Morris. This relationship has invariably been defined by an inequality: utopian producers have claimed unlimited freedom in their attempts to imagine new worlds, while utopian recipients have been asked to adopt such visions as their own without question. Morris's work suggests two possible responses to this inequality. One response, associated with theorist Miguel Abensour, is to liberate reception, with Morris's utopianism containing an invitation to readers to reformulate the vision proffered. However, this response, despite its dominance in contemporary utopian theory, not only misreads Morris but also undermines the political efficacy of utopianism. Consequently, I suggest that Morris responds to the problem of utopian inequality by constraining production, proposing a historical control on utopianising; new utopias are directed by an archive of visions articulated in past struggles.
In recent years, images of climate catastrophe have become commonplace. However, Black visions of the confluence of the Anthropocene and the apocalypse have been largely ignored. As we argue in this article, Black social thought offers crucial resources for drawing out the implicit exclusions of dominant representations of climate breakdown and developing an alternative account of the planet’s future. By reading a range of critical race theorists, from Frederick Douglass and W. E. B. Du Bois to Octavia Butler and Ta-Nehisi Coates, we propose a rethinking of the climate apocalypse. The African American theoretical and cultural tradition elaborates an image of the end of the world that emphasises the non-revelatory nature of climate catastrophe, warns against associating collapse with rebirth, and articulates a mode of maroon survivalism in which the apocalypse is an event to be endured and escaped rather than fatalistically expected or infinitely delayed.
This article is focused on exploring the value of literary utopias for social theory. The literary utopia, at first glance, appears irrelevant to sociology, its imaginative descriptions of social worlds both radically different and substantively better than our own seeming to skip over the central task of sociological enquiry: the diagnosis of society as it exists. In this article, the author aims to demonstrate that this is mistaken: the tradition of literary utopianising has much to contribute to sociology. Utopian authors, from Thomas More in the sixteenth century to Ursula K Le Guin in the twentieth, have developed a sophisticated and original mode of social critique. The utopian text, in bricolating and remixing aspects of actually existing society, creates something both new and astonishing. In looking laterally at the world from the perspective of utopia, consciousness of the contradictions and repressions of the dominant relations in contemporary society is sharpened. The literary utopia achieves this in two ways: first, it demonstrates how the not yet realised norms of the author’s society can be fulfilled and, second, it discloses the hidden possibilities for new ways of living that are present but denied in the social world.
Ernst Bloch is a philosopher of hope, of this there can be no doubt. It is the fidelity to the proposition that a better world is possible that undergirds Bloch's work. Yet, the hopeful tenor of Bloch's philosophy, as I argue here, is accompanied by a second, more subterranean strand: a concern with the phenomenon of disappointment. Bloch has an interest in what happens after hope fails; those moments when the desire for utopia confronts the impossibility of its realisation. By considering Bloch's philosophical history of the defeat of the chiliastic movements of the medieval moment alongside his ontology of not-yet-being, the claim is made that disappointment has a constitutive role in the philosophy of hope, such that the dream of a new world is mediated through the history of its failures. Hope and disappointment are entangled, the power of the former indexed to the act of confronting the latter.
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