Este estudo visa ampliar o conhecimento a respeito da fundamentação teórica das proposições do analista austríaco Wilhelm Reich. Investiga-se a noção de caráter presente em trabalhos reichianos da década de 1920 e início dos anos 1930. Foi sobretudo nessa época que o autor, então engajado no movimento psicanalítico, desenvolveu a conceituação de caráter e organizou a sua primeira técnica terapêutica, a análise do caráter. Em termos mais específicos, esta pesquisa busca: a) mostrar a vinculação entre as idéias reichianas de caráter com determinadas orientações presentes em escritos freudianos; b) contribuir para o esclarecimento da noção de caráter contida em textos reichianos publicados originalmente no período de 1922 a 1933. Dentre os pontos levantados nas abordagens de Freud e Reich, pode-se destacar a importância de se investigar o caráter como fonte de resistência. Já particularmente no domínio reichiano, merece relevo a aproximação efetuada pelo autor entre caráter e forma do comportamento.
This research consists of a psychoanalytic reading of Henrik Ibsen's play "Peer Gynt". Initially, the author presents the aforementioned play in a concise way and makes explicit the history of his knowledge and interest for this work. Then he places his reading amongst a tradition that goes back not only to the long history of psychoanalytic interpretations of works of art, but also to that of the interpretations about this particular work. Among the latter he presents and criticizes the interpretations made by W. Reich, G. Groddeck, M. Little and R. May. He also recollects Freud's comments on Ibsen and his works. Thereafter, relying on a dialogical methodological perspective, inspired by M. Bahktin, as well as on the psychoanalytic method of investigation, the author engages in drawing up an interpretative construction on the drama. Throughout this construction, certain parts of the play gain visibility and renewed meanings rise from the dialogue with theoretical and clinical references from some contemporary psychoanalytic authors (D. Winnicott, C. Bollas, T. Ogden, and others). This is how certain themes such as the impossibility of dreaming, the lie, the trauma, the convention, the false, the formlessness, the self, and others will appear and be unfolded. This research becomes, finally, an opportunity to broaden and update the understanding of the play, casting it into the debate around the human condition from the bias of contemporary psychoanalytic thought.
Escritor amador e estudante autônomo de literatura. Editor autô-nomo dos próprios textos (no projeto que chama de Edição Bara-ta). Brasileiro, de família meio pernambucana, meio chilena. Nas-cido e sobrevivido em São Paulo. COntAtO
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