Observers consciously prefer Mondrian's paintings in their original orientation compared with a rotated position-the "oblique effect" (Latto, Brain, & Kelly, 2000). However, this finding's premise, that all vertical-horizontal orientations of the thick black lines in Mondrian's oeuvre are preferred, overlooks the fact that the overall balance of these images is also altered when they are reoriented. Thus, balance may regulate the oblique effect, which might influence conscious aesthetic preferences. To address this issue, we explore Hess's (1965, 1972) claim that observers will unconsciously increase their pupil diameter to pleasing images and constrict it to unpleasant images. We overcame Hess's methodological limitation of not keeping his images' luminances and contrast constant across conditions by presenting eight Mondrian paintings to 30 observers on a CRT for 20 s each in either their original or seven rotated positions. Simultaneously, we measured their pupil size while asking them to report how (dis)pleasing they found each image. We found both evidence for the oblique effect (where image rotation hampers preference) and a correlation between this consciously reported aesthetic preference and unconsciously derived pupil size.
Polymodal neurons of the trigeminal nerve innervate the nasal cavity, nasopharynx, oral cavity and cornea. Trigeminal nociceptive fibers express a diverse collection of receptors and are stimulated by a wide variety of chemicals. However, the mechanism of stimulation is known only for relatively few of these compounds. Capsaicin, for example, activates transient receptor potential vanilloid 1 (TRPV1) channels. In the present study, wildtype (C57Bl/6J) and TRPV1 knockout mice were tested in three behavioral assays for irritation to determine if TRPV1 is necessary to detect trigeminal irritants in addition to capsaicin. In one assay mice were presented with a chemical via a cotton swab and their response scored on a 5 level scale. In another assay, a modified two bottle preference test, which avoids the confound of mixing irritants with the animal’s drinking water, was used to assess aversion. In the final assay, an air dilution olfactometer was used to administer volatile compounds to mice restrained in a double-chambered plethysmograph where respiratory reflexes were monitored. TRPV1 knockouts showed deficiencies in the detection of benzaldehyde, cyclohexanone and eugenol in at least one assay. However, cyclohexanone was the only substance tested that appears to act solely through TRPV1.
Eckhard Hess's claim that pupils dilate to pleasant images and constdct to unpleasant images was confounded because of inconsistent contrasts and luminances across his images. Building upon the work of Powell and Schirillo (2011) that explored multiple portraits by Rembrandt, we offer a new and promising methodology that overcomes this limitation. We presented leftward-or dghtward-facing female and male portraits by 12 artists from various epochs to observers in either their odginal or mirror-reversed positions. Simultaneously, we asked observers to report how (dis)pleasing they found each image while measudng their pupil size. We found that pupil diameter was a function of arousal only while viewing male portraits. That is, for male images rated both low and high in pleasantness, larger pupil diameters were obtained. We postulate that our findings may be the result of the perceived dominance of males and how hemisphedc laterality may ddve emotional expression.
In the psychophysical phenomenon visual bias, an accurately localized irrelevant signal, such as a light, impairs localization of a spatially discrepant target, such as a sound, when the two stimuli are perceived as unified. Many studies have demonstrated visual bias in azimuth, but none have tested directly or found this effect in depth. The current study was able to produce over 90% bias in azimuth and somewhat less (83%) bias in depth. A maximum likelihood estimate can predict bias by the variance in the localization of each unimodal signal in each dimension in space.
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