A conversation with pioneering new media artist Jamie Fenton that explores how her Glitch Art grew out of computer operating systems and gaming consoles she herself had helped build.
At the end of the short-lived first edition of Drum-Taps (1865), Walt Whitman looks back over the last few years of war, as if from the end of a long life: Not youth pertains to me, Nor delicatesse-I cannot beguile the time with talk; Awkward in the parlor, neither a dancer nor elegant; In the learn'd coterie sitting constrain'd and still-for learning inures not to me; Beauty, knowledge, fortune, inure not to me-yet there are two things inure to me; I have nourish'd the wounded, and sooth'd many a dying soldier; And at intervals I have strung together a few songs, Fit for war, and the life of the camp. 1
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