The ability of the media to function effectively as a fourth estate is hooked firmly on the maximum cooperation it receives from the different entities within society at whose service it operates. Recently, concerns have been raised in Ghana about the spate of assault and intimidation against media practitioners, and this action appears to hinder the independence, growth, and development of the media. Using an inductive approach for qualitative data analysis and drawing on the provocation theory, this study explored the degree of assault and intimidation in Ghana's media environment and found that attacks on the media were traced to three major sources, namely, security agencies, communities/individual citizens, and supporters of political parties. The article further argued that the communication interplay of the aforementioned entities is ideal for a functioning public.
Ghana's public sphere has witnessed a growing media presence which has enhanced the relay of information to the citizenry. By this, society is given a full spectrum of alternatives to access media. Amid this atmosphere is a platform labeled the "Newspaper Review Show" which appears to have generated some sort of contention since its inception among newspaper publishers on one hand and broadcast stations on the other. Using an exploratory qualitative approach, this study has shown that review of newspaper content is pervasive in the landscape and the selective style of review of major agenda has affected readership, revenue of newspaper outlets, and reading culture, among others. However, the article also contended that falling readership is attributed to some factors other than only review of newspaper content.
The media was accorded the status of the fourth estate with the objective of making it autonomous of society players like the government and corporate entities. However, its funding questions the independence of these entities. Using an exploratory mixed method that combines semi-structured interviews with the content analysis of newspapers, this study investigated the impact of media funding on the independence of government and private print media outlets in Ghana, tagging advertising as a revenue-generating source to determine agenda-setting patterns. In Ghana’s media economy, government and corporate entities influence editorial autonomy and favour state-owned papers than private outlets.
COVID-19 is described as ‘novel’ largely because the virus has rarely been studied. Without any vaccine, the key to containing the virus was the timely delivery of educative public health information to people. With a population of 29 million composed of small urban segments, Ghana has enormous rural enclaves where most of her citizens live. This study seeks to explore the nature of Ghana’s COVID-19 campaign, focusing on the communication strategies and the extent to which indigenous communication tools (ICTs) have been employed. Relying on document analysis, Ghana’s COVID-19 campaign rarely deployed ICTs but rather paid lip service to the country’s indigenous resources in public addresses to the nation. It also found that the fight against the virus metamorphosed into political campaigns making WHO’s vital information subservient to images of political figures and political iconography in general. We argue that the nature of the campaign created generalized awareness of the pandemic, but did less to educate the masses on the WHO preventive protocols.
Media development requires substantial funding, and therefore, donors, foreign governments, nongovernmental organizations (NGOs), and foundations have found a way to play an influential role through their financial support. However, it appears that the donors are also fighting a losing battle considering the rapidly changing political-economic structures of contemporary society spearheaded by the very private sector they enhanced. This study generally presents a systematic review of “foreign aid” to Africa as a base “to explore how donor funders and private investment impact media functions.” The work also sheds light on the extent to which donor support impacted the governance system within the media political economy of Africa. It establishes that donors, who are the very saviors, are also a threat to media freedom because they set the agenda for content, resulting in undue influence on the type of stories that are told. As a result, media development becomes constricted.
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