This study aims to discuss the attitude of the Arab poet Nizar Qabbani towards peace treaties with Israel. It examines a number of poems in which the poet shows his rejection of these treaties. Using a discourse analysis approach, the study explores the poet's attitudes toward these treaties and the poetic imagery he uses to express his rejection. The study concludes that Qabbani’s attitude is marked by his rejection of such treaties, and he expressed his anger towards the Arab leaders who signed them and on the Arab nations who did not object their signature. The content analysis of Qabbani’s poetry reveals that it is characterized by directness and constructiveness in some verses. It is also marked by its distance from the simple and compound images and from the aesthetics that are always found in his romantic poetry.
Shakespeare's The Merchant of Venice has been reimagined, adapted, and appropriated by Arab playwrights and poets. The Arab Jordanian poet ʿArār (Mustafa Wahbi Al-Tal; 1897–1949) appropriates Shakespeare's anti-archetype of the figure of the Jew, Shylock, to criticize two local issues in the early twentieth-century context in Jordan and Palestine. First, the phenomenon of money-lending by Jordanian merchants, which led to the confiscation of the poor peasants' lands in the early twentieth century. Second, the condemnation of Zionism and its association with Western colonialism. Shakespeare's Shylock, on one hand, is recreated as a Jordanian Shylock, who is a usurer, and, on the other, as a Zionist Shylock. This remoulding of Shakespeare's Shylock as an Arab and Zionist reveals the post-Shakespeare Arab audience's new perception of The Merchant of Venice as a play about the political and behavioral affiliations of Shylock rather than about his Jewish ethnicity.
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