Awareness of, and debate about, harassment, assault, bullying and intimidation (HABI) in archaeology has grown in recent years, but the issue remains under-researched. Here, the authors present the first Europe-wide survey to evaluate HABI in archaeological environments, from field to laboratory and classroom. The survey covers 18 forms of HABI, collecting more than 1000 responses from archaeologists of 49 nationalities. A total of 82 per cent of respondents report at least one HABI experience. The authors conclude that HABI is endemic in European archaeology, being experienced by all genders and ages, in multiple settings and countries. Documenting these behaviours is a critical first step to eradicating them and to achieving equity and safety in the discipline.
If gender has been a part of post-processual archaeology for the last fifty years, some feminist and queer approaches have more recently started to be integrated into research by taking into account non-binary genders, gender fluidity and transidentities in archaeological contexts, particularly in the study of North American contexts where many societies are non-binary. Through a reflective and theoretical approach, this article considers the question of non-binary genders, gender fluidity and transidentities in ancient societies that are strictly binary and examines how archaeologists can integrate or not these gender diversities into the interpretation of funeral contexts.
Si la question de l’identification d’un troisième genre ou de la fluidité de genre dans les contextes archéologiques a déjà fait l’objet de recherches dans d’autres régions du monde et pour d’autres époques, les spécialistes de la Grèce classique, et en particulier d’Athènes, ne se sont pour l’instant pas emparés de ce sujet. Pourtant, même si l’Athènes classique semble donner l’image d’une société strictement binaire, il existe des divinités et des individus qui ont pour particularité de brouiller les frontières des genres. C’est notamment le cas des acteurs et, dans cet article, nous nous intéresserons à la tombe de l’acteur Makareus, découverte dans la nécropole du Céramique et datée du ive siècle av. J.‑C. À partir du matériel de cette tombe, et en envisageant les données relatives aux acteurs dans les sources anciennes, nous reviendrons sur l’idée, proposée par plusieurs chercheurs, que les acteurs appartiendraient au genre féminin, avant de proposer une autre interprétation, basée sur la fluidité de genre.
in the facsimile section or mentioned in the text. Modern placenames are generally spelled as in German albeit with a few inconsistencies, for example, Genova (not Genua) as against Padua (not Padova). Straßburg is German, Strasbourg is French, but Straßbourg is neither one nor the other. Such details do not, however, detract from the value of the fourth edition as a valuable research tool and the natural point of departure for future explorers venturing into the fascinating landscape of the Tabula Peutingeriana.
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